Author: Christopher Lansdown

http://www.chrislansdown.com/

Telling Reality From a Dream

On By Christopher LansdownIn Philosophy, Uncategorized1 Comment

“What if real life is actually a dream?”  is a favorite question of Modern philosophers and teenagers who want to sound deep. It’s a curious thought experiment, but in reality—that is, when we’re awake—we can all easily tell the difference between reality and a dream. But how? The answer is, I think, very simple, but also telling.

Thought experiments aside, we can tell reality from a dream because—to put it a little abstractly—reality contains so much more information than a dream does. Anything we care to focus on contains a wealth of detail which is immediately apparent to us. Whether it’s the threads in a blanket or the dust in the corner of the room or just the bumps in the paint on the drywall, reality has an inexhaustible amount of complexity and detail to it. And what’s more, it has this even in the parts we’re not focusing on. Our eyes take in a truly enormous amount of information that we don’t exactly notice and yet are aware of.

Dreams, by contrast, are very simple things. They do feel real while we are in them, but I think this comes from two primary causes. One is that we’re so caught up in the plot of our dream that we’re not paying enough attention to ask ourselves the simple question, “is this a dream?”

And I think that this is because dreams are natural to us. We often lose sight of this fact because dreams are involuntary and strange. But many things we do are involuntary, in the sense of sub-conscious; our breathing is most involuntary and our heartbeat always is. Our stomachs go on without our concentrating on them and our intestines wind our food through them whatever our conscious thoughts may be. Merely being involuntary does not make a thing unnatural. And since it is natural to us to dream, it is natural that we do not ordinarily try to escape our dreams. As with our other bodily functions, we ordinarily do what we’re supposed to do.

The other reason that dreams feel real to us is because our attention is so focused in a dream that we never consider the irrelevant details. If you ever try to call a dream back in your memory, though, you’ll notice that you can recall almost no detail in them—detail which was irrelevant at the time, I mean. The things in dreams only have properties where one is paying attention. The enormous amount of information we can see without paying attention to it is missing. This is also why they have a “dreamlike” quality to them—if we turn away then come back, they may not be the same because they stopped existing while we weren’t looking at them.

Dreams lack this stable, consistent, overwhelming amount of information in them precisely because they are our creations. We can’t create an amount of information so large that we can’t take it in.

And here we come to the fitting part: the difference in richness between reality and dreams shows what inadequate Gods we are. Our creations are insubstantial, inconsistent wisps. We can tell reality from a dream at a glance between it only takes one glance at reality to know that we couldn’t have created what we’re looking at.

(Note: This is a heavily revised version of a previous post, Discerning Reality From a Dream.)

Discerning Reality From a Dream

On By Christopher LansdownIn Christianity, Philosophy2 Comments

“What if real life is actually a dream?”  is a favorite question of Modern philosophers and teenagers who want to sound deep. It’s a curious thought experiment, but in reality we can all easily tell the difference between reality and a dream. But how? The answer is, I think, very simple, but also telling.

Thought experiments aside, we can tell reality from a dream because—to put it a little abstractly—reality contains so much more information than a dream does. Anything we care to focus on contains a wealth of detail which is immediately apparent to us. Whether it’s the threads in a blanket or the dust in the corner of the room or just the bumps in the paint on the drywall, reality has an inexhaustible amount of complexity and detail to it.

Dreams, by contrast, are very simple things. They feel real only because we’re so caught up in the plot of our dream that we’re not paying enough attention to ask ourselves the simple question, “is this a dream?” But if you pay attention, dreams have almost no detail in them; the things in the dream only have properties where one is paying attention. This is also why they have a “dreamlike” quality to them—if we turn away then come back, they may not be the same because they stopped existing while we weren’t looking at them.

And here we come to the fitting part: the difference in richness between reality and dreams shows what inadequate Gods we are. Our creations are insubstantial, inconsistent wisps. We can tell reality from a dream at a glance between it only takes one glance at reality to know that we couldn’t have created what we’re looking at.

UPDATE: I’ve rewritten and expanded this post in a way that makes its point clearer: Telling Reality From a Dream

The Influence of Art

On By Christopher LansdownIn Uncategorized1 Comment

Over at Amatopia, Alex talks about The Influence of Art. As usual, it’s worth reading. Unfortunately, Alex fails to make the critical distinction which everyone else always fails to make when discussing the influence of art: moral influence versus behavioral influence.

This distinction is most clearly distinct when considering violence versus pornography. Violence is a behavior. It can be immoral, as in the case of murder, or moral, as in the case of self defense. Pornography, by contrast, is inherently immoral because pornography specifically includes its purpose within its definition.

When people talk about whether violent video games cause people to be violent, they never specify what sort of violent video games. Do games in which people act in strictly moral ways, such as defending themselves and others or participating in a just war, make them more likely to act in immoral ways, such as committing murder or arson? Well, why would it? Let’s consider another case where people engage in morally justified violence: a surgeon’s job is to engage in morally upright violence—they slice people’s bodies open with knives. Does anyone think that this practice of justified violence makes surgeons desperate to commit unjustified violence? This is ridiculous even to suggest. Yet it is the same sort of suggestion; we don’t think that surgeons wander the streets slashing away with daggers and swords because of their frequent exposure to cutting people.

And if this sounds like an absurd example, that’s only because it’s an example of an absurd idea. Suggesting that violent video games make people violent is absurd precisely because it is confusing an action—violence—with a moral dimension—justification for violence.

By contrast, consider pornography, which contains its immoral object within its definition. Pornography is art which is designed to arouse sexual desire at an object which is not the proper object of sexual desire. Exposing oneself to pornography and using it to indulge in lustful behavior is training oneself to direct sexual energy at objects other than those it should be directed at (one’s husband or wife). It is obvious how this will have an effect on behavior because it consists in training oneself to misuse a faculty. It repetitively breaks the link between the sexual act and its proper use; it violates the habit of looking only at one’s spouse as one’s spouse.

And if we look at other cases of people repetitively misusing sex, we expect them to misuse sex. We do not expect someone who engages in many one-night stands to be faithful in marriage. Nor do we expect a (voluntary) prostitute to be faithful in a marriage. Granted, they will loudly proclaim that it’s not impossible. Which is true, but unimportant. Liars will very loudly proclaim that just because they were lying the last twenty three times, they could be telling the truth this time. And so they could. But the fact that a great many people want respect that they haven’t earned is of no consequence to the present subject.

Making this distinction solves the entire problem. It is not that art has no effect, or art has complete control over the viewer, or that art has 15% control. Art affects the viewer, but it affects the viewer along several dimensions. It affects them in what they do, and it affects them morally. I’ve no doubt that people who play violent video games with morally justified violence will be at least a little less sensitive to the sight of blood and the sound of gunfire, but that could easily mean that they are slightly more able to help people during a terrorist attack. Immoral video games, by contrast, will train people to act a little worse when they get the chance.

As is always the case with morality, it is not enough to ask what a man is doing, you must also ask why he is doing it.

Review: Whose Body?

On By Christopher LansdownIn Mystery, Reviews, Uncategorized3 Comments

Whose Body? is the first of Dorothy L. Sayers’ novels featuring her justly famous sleuth, Lord Peter Wimsey. There’s something which might almost be called a tradition in detective fiction that the first novel featuring the detective is not the place to start reading them, and though it is a good book, Whose Body? is not an exception. The author doesn’t really know his character in the first book, or more properly, characters—half of what makes a detective great are usually his friends and occasionally his enemies. As such things go, Lord Peter does come onto the scene in Whose Body? close to fully formed. Still, I would recommend start with Strong Poison or Cloud of Witness first.

With that out of the way, Whose Body? is a good mystery as well as a good Lord Peter story. It has a great deal of wit in it, both in wry observations as well as some excellent scenes involving Lord Peter’s mother, the Dowager Duchess of Denver. The mystery unfolds at a good pace, with new things for the reader to think about coming regularly. There is also the pleasure of reading about Lord Peter’s 1920s luxury. Though set contemporaneously, they are now period fiction, and Dorothy L. Sayers paints the scene vividly enough to work as period fiction for the modern reader. It is certainly a must-read for any Lord Peter fan.

(If you don’t want spoilers, don’t read any further.)

Analysis of the Story

(Note: please take everything that I say following in light of Whose Body? being a good novel. The purpose of this section is to try to learn from a master (Sayers) at work. Anything which sounds like harsh criticism should be taken merely as economy of speech.)

In light of some of Sayers’ later triumphs—such as Have His Carcass and Gaudy night—in Whose Body? she is clearly still finding her way with Lord Peter and detective fiction in general in. It is important to bear in mind the relativity of that statement, because Whose Body? is still superior to most other writers’ polished detectives. But none the less, Whose Body? is more conventional and ultimately a little hesitant.

By more conventional, I mean that it follows the conventions of detective fiction more closely than do the other Lord Peter novels. Though that is a somewhat strange thing to say given that in 1923, detective fiction wasn’t that old. A Study in Scarlet (the first Sherlock Holmes story) was published in 1887, a mere 36 years earlier. Granted, detective fiction exploded after Sherlock Holmes, but the explosion was still in its relatively early days in the 1920s. But none the less there were plenty of conventions at the time, and Sayers did follow them more closely than she would later.

Part of this is also related to the distinction between short story mysteries and mystery novels. I’ve talked about his before, but the short explanation is that short story mysteries are quite commonly brain teasers, while novels are the story of a detective at work. This follows necessarily from the length. In the quintessential mystery short story, the detective comes onto the scene of a crime, takes in the clues, then realizes the solution to the problem and explains it. The shortness of the story allows the reader to take in all of the clues, then pause to consider them before finding out whether he guessed correctly. (This, by the way, is why in television shows the detective suddenly realizing the solution to the problem after somebody says something which stirs his imagination is so common. I.e. why there’s the classic, “wait, say that again. You’ve solved it!” moment. After laying out the clues, they had to give the audience time to think about it, and it can’t be a new clue which solves the case for the detective, so something has to be the trigger for the detective realizing who did it so we can get to the reveal.)

This is structurally impossible in a novel, however. If the reader is given all of the information he needs in order to solve the mystery in the first ten pages of the novel, the rest of the novel becomes pointless and the brilliance of the detective becomes impossible to believe when it takes him 200 pages to figure out what any intelligent reader already figured out. Accordingly, the clues have to be revealed slowly, throughout the book, for the book to remain interesting. That forces the book to be about the process of finding the clues, rather than purely about understanding the clues presented in a jumble.

(This, incidentally, is one of the problems in the first Filo Vance novel, The Benson Murder Case. The author presented us with all the evidence we needed to know who the murderer was in the first chapter, and so the rest of the book dragged on a bit. Granted, Philo Vance also figured out who the murderer was in the first chapter, which made it a little odd that he didn’t tell anyone until the last chapter.)

Whose Body? does not give us all the evidence we need up front, but it does give us enough evidence early on so that we can make an educated guess fairly early. This does not spoil the fun as subsequent evidence is required to really substantiate the guess, and we get the fun of finding it out along with Lord Peter. It does, however, lessen the impact of the red herrings. The biggest of which is Cripsham and his pince-nez which were found on the corpse. There are several pages spent on speculating about Cripsham after he answers the advertisement Lord Peter put in the newspapers, but none of it is really credible at this point. There’s far too much we already know and/or suspect about Sir Reuben Levy’s connection to the corpse in the bathtub, and the latter’s connection to—if not yet to Sir Julian Freke, at least to the hospital next door to the corpse. Granted, it’s a little unfair to hold against a book that it’s too well written to have the second half of the book make the first half of the book a waste of time, but mystery has always been a self-conscious genre. And it is, so the idea that the murder was committed by a character as yet completely unknown and wholly unrelated to anyone already in the novel is not really credible. The result is that the extensive speculations about Cripsham just feel like a waste of time. In fact the whole affair of the pince-nez was over-played. Since the body was clearly arranged by the murderer, it was not plausible that the pince-nez were any sort of solid clue. Since they had to be either a practical joke by, or an attempt at misdirection on the part of, the murderer, they were never going to lead anywhere directly. The only really plausible connection they could have to the murderer was pointing to the murderer’s enemy. As soon as the owner of the pince-nez was utterly unconnected with anything or anyone else in the book, they couldn’t really have pointed to the murderer’s enemy, so they had to be merely a practical joke.

The character of Inspector Charles Parker was very interesting in this book—it is perhaps his best role in any Lord Peter book. I can’t help but think that Sayers never really thought that Parker worked. He continued to appear in Lord Peter stories, but he got ever-smaller roles. I wonder whether this may have stemmed from the fundamental contradiction in the role which Sayers gave him and the way she began to characterize him. Parker read theology in his spare time, which was an extremely interesting thing for a police inspector to do. It also set things up wonderfully for him to be a contrast in personality with Lord Peter who, while well educated, was an instinctive atheist. As Sayers put it more than once, Lord Peter would have thought it an impertinence to believe he had a soul. That would be a fascinating contrast.

Unfortunately, Parker’s main role was to be the Watson to Lord Peter’s Holmes. What makes this so unfortunate for the characterization which Sayers started to give Parker is that the ninth rule of Ronald Knox’s 10 Commandments for Detective fiction is commonly held to be true:

The “sidekick” of the detective, the Watson, must not conceal from the reader any thoughts which pass through his mind: his intelligence must be slightly, but very slightly, below that of the average reader.

That simply does not work for an interest in theology.

I should note that this is not actually a strict requirement for a Watson. The purpose behind this rule is that the detective must have some reason to explain himself. A beloved sidekick who doesn’t understand what’s going on and who constantly asks for explanations works very well for this job, hence it’s popularity. However, merely thinking differently will suffice. Thus an intelligent person with a different background from the detective works well. “I would have assumed it meant [plausible inference], but I’m guessing you conclude something different from it?” It’s more difficult since there must generally be two plausible inferences to pull this off, but it’s very doable. In fact, Sayers herself did this with the introduction of Harriet Vane. While not Lord Peter’s equal, she was generally the most intelligent person in any room he wasn’t in. But she had a very different background and personality from him, and so they complemented each other in just this way.

The only other thing I want to remark on was the interactions with Sir. Julian Freke. Lord Peter’s obsession with fair play and giving the murderer a chance to commit suicide before being taken was something I was glad that Sayers abandoned. I think she did it in only two cases. One was of course Whose Body? and the other was The Unpleasantness At the Bellona Club. It was perfectly fair to give Lord Peter his weaknesses, but this one just didn’t work. It wasn’t out of character, exactly, but neither did it feel like it was in character. Granted, Lord Peter tended to approach mysteries purely as a game, but  anguish at realizing that it was real was probably as unpleasant for the reader as it was for the character. The big problem being that this is all a game for the reader. Consulting detectives are not realistic. If one is going to indulge in them at all, one should see the fantasy through to the end. The detective has undertaken to put right, by a right use reason, what was put wrong through a misuse of reason. He may conclude that justice would be better served by letting the murderer go, but it is not right for him to conclude that justice would be better served by not serving it.

And to be fair to Sayers, she did abandon this line of thought pretty quickly. Whose Body? is the only time Lord Peter gave the murderer the opportunity of escape. In The Unpleasantness At the Bellona Club, he merely gave the murderer the opportunity to shoot himself before he was taken for murder and hanged. Granted, this is offensive to my Christian principles which holds suicide to be intrinsically evil, but it did at least still serve justice, if it served nothing better. And fortunately Sayers abandoned it entirely in her other stories.

Sir Julian Freke’s letter to Peter was also a little odd. First, it was strange he hadn’t prepared the bulk of it immediately after the murder on the assumption he would get away with it and the details should be preserved immediately for their scientific value. Second, it was largely a recapitulation of what we had already learned. Rather than being satisfying, I found it made for dull reading since we learned very little from it. It served in place of the denouement in an Agatha Christie where Poirot gathers everyone together and explains what happened, but with none of the revelation of when Poirot does it. There were no details commonly assumed to be one way but then put straight. There were barely any details even filled in—unless you count such trifles as the cotton wool placed under the surgical bandage to avoid bruising. Or that the bath running was to cover the sound of work rather than to actually bathe one of the corpses. And I think it’s telling that Sayers never repeated the many-page confession in her other books. Except possibly Inspector Sugg—who wasn’t really a character—no one learned anything from this confession.

In conclusion, Whose Body? is a fascinating first story for a detective. It clearly did a good job of introducing Lord Peter in 1923, and set the stage for some true masterpieces of detective fiction. It wasn’t uniformly great, as were some of Sayers later works, but where it was good it was very good. And I find it interesting that the character which changed the least in subsequent books was the Dowager Duchess. While Lord Peter took a little refinement through the books, Sayers really nailed the Dowager Duchess from the first page which contained her.

If you enjoy Lord Peter Wimsey stories even half as much as I do, please consider checking out my murder mystery, The Dean Died Over Winter Break.

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The Dean Died Over Winter Break

On By Christopher LansdownIn Mystery, WritingLeave a comment

Today I’m pleased to announce that my first mystery novel, The Dean Died Over Winter Break, is now available from Silver Empire publishing.

tddowb

If you like Lord Peter Wimsey, Father Brown, or Brother Cadfael—and especially if you like all three—then you’ll probably enjoy the first Chronicle of Brother Thomas: The Dean Died Over Winter Break.

Back cover blurb:

Winter Break is normally a peaceful time at a university so it was quite a shock when Dean Floden was discovered Monday morning murdered at his desk, the window wide open behind him. A blizzard sent everyone home on Friday afternoon so there’s no time of death and no witnesses to see who came or went anyway. The police have little to go on and are making slow progress. Worried about an ongoing investigation when the students return for the spring semester, the president of the university calls in the Franciscan Brothers of Investigation.

Brother Thomas, still with the intensity of youth despite long experience uncovering the sins of the world, is sent along with his apprentice, Brother Francis, whose jovial smile and mild manner belie his ever-growing knowledge of fallen humanity. Awaiting them on their first day are a jealous mistress, a clever drug dealer, a disappointed researcher, and a mortally insulted professor. Did one of them do the other three a big favor? Or was it someone else entirely? With everyone at the university looking out for their own interests, can Brother Thomas’s sharp eyes and Brother Francis’ insight find the truth behind the academic façade?

Some of the most favorable reviews so far:

“It was very difficult to put down the book and not read, read it until the last page!” -Keti

“If you’re a fan of Brother Cadfael, you’ll like this novel.” -Borderbumble

“It’s well worth a read for any mystery fan just for the unique detectives. I’d love to see a sequel.” -Nigel

“It is a quick and enjoyable read with interesting characters with whom I’d like to spend more time in the sequels.” -Alfred

If you’re interested, it’s available for $2.99 on Kindle.

Who Works For Bad Scientists?

On By Christopher LansdownIn Uncategorized1 Comment

One of the latest scandals in science is the shoddy research of Brian Wansink, with new scrutiny on his papers resulting in many of them being revised or withdrawn. Apparently this started in the aftermath of a post on his blog titled The Grad Student Who Never Said No. I bring this up because it ties into a previous post of mine, The Fundamental Principle of Science. But the entire blog post is very interesting so let’s look at it.

A PhD student from a Turkish university called to interview to be a visiting scholar for 6 months.  Her dissertation was on a topic that was only indirectly related to our Lab’s mission, but she really wanted to come and we had the room, so I said “Yes.”

So far, no problems.

When she arrived, I gave her a data set of a self-funded, failed study which had null results (it was a one month study in an all-you-can-eat Italian restaurant buffet where we had charged some people ½ as much as others).

Right away you have a problem with whatever they’re trying to find out because there’s no realistic way to charge people half as much as others. Most people find out what a buffet costs before ordering it, with this influencing their choice to eat there or not. Further, many people will be regular customers and thus already know what the buffet costs.

 I said, “This cost us a lot of time and our own money to collect.  There’s got to be something here we can salvage because it’s a cool (rich & unique) data set.”

This is a really bad sign. If your experiment fails, you’re not supposed to torture the data until it tells you what you want to hear. This is called p-hacking, an it results in an awful lot of garbage. Virtually all data sets have some correlations in them by sheer chance; finding them is simply misleading.

I had three ideas for potential Plan B, C, & D directions (since Plan A had failed).  I told her what the analyses should be and what the tables should look like.  I then asked her if she wanted to do them.

Granted, this isn’t quite as bad as the approach where one uses a computer to generate hundreds or thousands of “hypotheses” and test them against the dataset to find one that will stick to the wall, but it’s a bad sign. This is such a bad practice, in fact, that some scientific journals are requiring hypotheses to be pre-registered to prevent people from doing this.

Every day she came back with puzzling new results,

This is a very bad sign. It’s a huge red flashing neon sign that your data set has a lot of randomness in it.

and every day we would scratch our heads, ask “Why,” and come up with another way to reanalyze the data with yet another set of plausible hypotheses.

Now this is just p-hacking, except without a computer. You could call it artisinal, hand-crafted p-hacking.

Eventually we started discovering solutions that help up regardless of how we pressure-tested them.

I’m actually kind of curious what he means here by “pressure-testing”. Actual pressure-testing is putting fluid into pipes at significantly higher pressures than the working system will be under to ensure that all of the joints are strong and have no leaks. Given that the data set has already been collected, I can’t think of an analog to that. Perhaps he meant throwing out the best data points to see if the rest still correlated?

I outlined the first paper, and she wrote it up, and every day for a month I told her how to rewrite it and she did.

What was going on that 30 rewrites were necessary? Perhaps this grad student just sucked at writing, but at some point one really should pick an idea and stick with it. I really doubt that thirtieth rewrite was much better than the 23rd or the 17th.

This happened with a second paper, and then a third paper

So we’re up to about 90 rewrites in 3 months? That’s is a lot of rewrites for papers about something as weak as tracking the behavior of people eating at a randomly discounted Italian buffet.

(which was one that was based on her own discovery while digging through the data).

This is pure snark, but I can’t resist: she learned to p-hack from the master.

At about this same time, I had a second data set that I thought was really cool that I had offered up to one of my paid post-docs (again, the woman from Turkey was an unpaid visitor).  In the same way this same post-doc had originally declined to analyze the buffet data because they weren’t sure where it would be published, they also declined this second data set.  They said it would have been a “side project” for them they didn’t have the personal time to do it.

It’s really interesting that we have no idea what the post-doc actually said. It’s possible that the post-doc was just being polite and came up with an excuse to avoid p-hacking. It’s also possible that the post-doc said that this seemed like p-hacking and Wansink interpreted that as trying to cover for not thinking that it was prestigious enough work.

But it’s also possible that someone who wanted to work with an apparent p-hacker like Wansink actually was concerned only with how prestigious a journal the p-hacked results could be published in.

Boundaries.  I get it.

I strongly suspect that he doesn’t get boundaries. Most people who have to talk about them this way—saying that they respect other people’s boundaries—don’t. At least in the cases I’ve seen. People who respect boundaries do so as a matter of course. It’s a bit like how people who don’t stab others in the face with spoons don’t talk about it, they just do it.

Six months after arriving, the Turkish woman had one paper accepted, two papers with revision requests, and two others that were submitted (and were eventually accepted — see below).

P-hacking is far more productive than having to find real results. That’s why it’s so tempting.

In comparison, the post-doc left after a year (and also left academia) with 1/4 as much published (per month) as the Turkish woman.

Right, but how good was it?

 I think the person was also resentful of the Turkish woman.

This could mean several things, depending on what he person actually said and meant when they declined to p-hack the buffet data set. If it was purely self-aggrandizement, then this becomes a valid criticism. If they were actually demuring from p-hacking, then the resentment makes a lot of sense since the Turkish woman made them look bad for standing on principle while others transgressed and didn’t get caught.

Balance and time management has its place, but sometimes it’s best to “Make hay while the sun shines.”

This part is certainly true. It’s rarely a good idea to disdain low hanging fruit. Unless it’s wax fruit, not real fruit.

About the third time a mentor hears a person say “No” to a research opportunity, a productive mentor will almost instantly give it to a second researcher — along with the next opportunity.

I really wonder what he thinks that the word “mentor” means. Whatever it is, it clearly doesn’t involve actually mentoring anyone. But don’t just pass over this, look at how glaring it is. The first half of the sentence, “About the third time a mentor hears a person say ‘No’ to a research opportunity”, is the setup for explaining how the mentor will then help the person to learn. Instead, the next three words are almost a contradiction in terms: “a productive mentor.” To mentor someone is to put time and energy into helping them learn. It’s the opposite of being productive. Craftsmen are productive. Mentors are supposed to be instructive. And then the rest of the sentence can be translated as, “…will just give up on the person.”

I think the word he was looking for was “foreman,” not “mentor”.

This second researcher might be less experienced, less well trained, from a lessor school, or from a lessor background, but at least they don’t waste time by saying “No” or “I’ll think about it.”  They unhesitatingly say “Yes” — even if they are not exactly sure how they’ll do it.

Yeah, the word he was looking for was “foreman”.

Facebook, Twitter, Game of Thrones, Starbucks, spinning class . . . time management is tough when there’s so many other shiny alternatives that are more inviting than writing the background section or doing the analyses for a paper.

I’ve got to say: if the reason that the post-doc wouldn’t p-hack the buffet data set was because they were too busy checking Facebook and Twitter, watching Game of Thrones, sitting chai lattes at Starbucks, and going to spinning class… that was actually a better use of time.

Yet most of us will never remember what we read or posted on Twitter or Facebook yesterday.  In the meantime, this Turkish woman’s resume will always have the five papers below.

Ironically, Wansink is likely to remember this blog post for a long time, since it drew attention to his p-hacking. And at this point, there’s a lot of it.

How To Get Your Posts Shared By Big Names

On By Christopher LansdownIn Life Skills, UncategorizedLeave a comment

This is a post for people with small blog readerships who want to get links from people who have big followings. It will probably apply to other long-form media like YouTube videos and possibly even Facebook posts, but won’t apply to short-form media like Twitter. Also, I should mention that I’m talking about people who are big because of what they make. I have no idea how to get Kim Kardashian to notice blog posts.

If you’re wondering what my credentials are for making this post, I’ll start with the recent ones:

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In case you don’t know him, Ed Latimore has (as of the time of this writing) about 40,000 Twitter followers. Recently he linked to How To End Conversations and Acting Confident vs. Being a Jerk.

In the bigger picture, I’ve been blogging on and off for twenty years. In that time I’ve had novels of mine mentioned by Mark Shea, I’ve had blogs linked to by The Volokh Conspiracy (several hosts ago), Steven Den Beste (back when he was a big-name political blogger, before he switched to anime blogging, may he rest in peace), and others. Probably the biggest link I got was from Slashdot. (That one generated around  35,000 page views, 16 years ago.)

Having (hopefully) established my credentials, much of what I’m going to talk about is actually basic human psychology. The most effective way to get anybody to do what you want is to align your interests with theirs. So the best way to get someone with a big following to link to your blog post is to write a blog post where linking to it benefits them. This makes the most important thing to consider:

What People With Followings Want

The only way to get a large following is to give a lot of people a meaningful amount of value. (Whether it is given for free or for a fee is irrelevant.) Loyalty is, however, a rare thing among fallen humanity and so one has to keep giving new value. This may be clearer if it’s considered from the reader’s perspective: if someone spends too much time writing what you don’t want to read, you’ll stop reading them. This creates, for the person will the big following, two complementary incentives:

  1. A constant need for value to give to their readers
  2. A strong disincentive to publish anything which is not valuable to their readers

The techniques for getting blog posts shared by big names all follow from these two elementary forces. (It doesn’t hurt to know how readers behave, too.)

The Basics

The single best way to get your blog post shared by someone is to write a blog post which provides real value to the person’s readers. This can work if it’s a large subset of his readers but it’s better if it’s all of his readers. And the best way to do that is for the post to be the sort of post which that person would write. Now, I don’t mean that you should ape his style. In fact, that’s probably a bad idea. But your post should be on a subject which he might write about and from a viewpoint which is at least compatible with his. Also, critically, it’s got to be a post he hasn’t already written.

That’s not to say that it can’t be on the same subject that he’s written about before, but if it is, it’s got to be different: a different take, a different angle, some additional background information which augments or clarifies his point—in short, your post has to add something to his. If it doesn’t, what’s the point in him sharing it?

A follow-up post to the big name’s post can be a good approach to getting shared. Saving the big name the trouble of writing the followup can provide a lot of value. (This is especially true if he’d have had to do research to write it.)

A funny take on a serious post, or a serious take on a funny post can also both work as follow-ups. If you’re going the route of being funny, make sure that your sense of humor will make the writer laugh out loud. If you’re going serious, a good bet is to be an answer to all the nit-pickers on the writer’s humorous post, saving him the tedium of replying and/or explaining.

Subjects that the writer with the big following haven’t written about also work, depending on why he hasn’t written about them. Good reasons are: he hasn’t gotten around to it and writing it would require research he didn’t feel like doing. Bad reasons include: he isn’t interested, he thinks it will turn off readers, it’s off-brand.

Merely tangential relation to the writer’s main subject probably won’t cut it. For example, it’s probably a waste of everyone’s time to tell a Paleo blogger about your post on “how to hook up with hot paleo chicks”.  Even if your technique is to carry around a clear acrylic cooler packed with ice and raw steaks, your primary topic is picking up women, not eating paleo. By contrast, “how to eat paleo on a date without being a nuissance” would be primarily about eating paleo. Specifically, it would be about navigating the difficulties of the modern food environment without sacrificing paleo goals. And if you’re pitching a paleo blogger, posts about changing the oil in your car are right out.

Don’t Waste People’s Time

If your post is not likely to be of interest to a big name’s readers/viewers/followers/etc, don’t waste their time asking them to share it. That’s just asking for free advertising. It wouldn’t even do you any good if they did share it—their followers won’t click on it. If you follow someone because you love their bass fishing blog, if they publish a link to someone’s post on how to sell afghans on ebay it will just be noise to you. And people who’ve spent more than a few months on the internet are very good at filtering out noise. At the very least, if you insist on doing this, make the subject line, “I want free advertising for no reason”.

Joking aside, for most people the reason they do this is because their hope has clouded their judgment. Try not to do this. Hope is important, but other people’s time being finite means that hope should always be tempered by realism. There will be other opportunities.

Present Your Material Politely

This isn’t hard, but the big thing is to avoid looking like what you’re not. Everyone gets spam asking them for things; when you are offering value to someone you want to be careful to avoid looking like spam. The best way to do this is to avoid asking for things. I don’t mean to be passive aggressive, just to trust the person you’re talking to to run their own blog/channel/twitter/whatever. They can figure out on their own that if something is valuable to their readers, they should share it. So trust them that they know that.

Just be simple and direct. If you think they would like it, then say so. “I’ve got a blog post on [subject] which I think you might like: [link] [excerpt]”. If you think that it’s primarily their readers who would be interested, then say that. “I’ve got a blog post on [subject] which I think your readers might find interesting: [link] [excerpt]”.

A brief excerpt is valuable because it will give the person a sense of the post’s quality in a few seconds. This lets them judge whether reading the post will be a good use of their time. Unfortunately on the internet, a lot of people are wrong about how valuable their posts are and while I trust that the reader’s post is one of the valuable ones, the big name can’t. That means that they have to spend time to find out that it is valuable. An excerpt lets them do that in a few seconds, rather than having to judge whether to invest a minute or two. That may not sound like a lot if your inbox is empty, but when you’ve got thirty unread messages, it can feel like quite a lot.

More Advanced

You’ll note from the basics section that familiarity with the big name you’re hoping to get linked by is important. The best way to achieve this, of course, is to be a regular reader. There is a world of difference between how well a regular reader knows a writer’s interests and how well someone who’s read an article or two does. (Though even the article or two is a world again of difference with someone who’s read nothing by a writer.)

There’s another big advantage to being a regular reader: you’re probably going to end up being a regular commenter. Whatever the medium, almost all writers have some sort of avenue of feedback available. If you read someone regularly you will naturally use it on occasion. As long as you are doing so from a consistent persona (ideally one that has a real picture of your face, since human beings key recognition off of faces), you will start to build up an acquaintanceship.  In addition to having a bit of a human connection—which is valuable in its own right—this will automatically elevate your request that the big name check out your blog post in their attention. Obviously this can backfire if you get annoying, so be careful to only send them your best stuff, but this is a huge leg up on getting their attention.

You’ll probably also benefit from all the exposure to the writing (etc.) of people with large followings, including becoming a better writer yourself.

Trying to Get Noticed by Really Really Popular People

First, it’s important to be realistic. This is extremely hard. There are actually several reasons for this, but the numbers are enough on their own: if someone has a million readers, if 0.1% of the readers contact the writer per month, that’s 33 people per day. Thirty three strangers is a lot of people to talk to in a day, on top of trying to eat, get to the gym, do one’s job, and possibly interact with friends and family.

But things are much worse than that. When someone is that popular, your competition for their attention will not be entirely made up of incompetent people. Other people will be offering value too. That means that there’s a lot to pick through, and that doesn’t just take time. It takes emotional energy. Some of the work required in meeting strangers is involved in reading the words of a stranger; it takes some amount of adaptation to their style, their turns of phrase, their way of thinking, etc. This is one reason why newspapers traditionally had standardized voices, diction, etc.—by making the writers interchangeable, reading a newspaper requires significantly less effort on the part of the reader. The great variety of voices offered by blogging (etc) allow us to find people we enjoy far more, but it requires a great deal more energy to sift through. Just consider how many new bloggers you read a day—it’s not many, at least on a typical day. There’s no reason to expect it to be easier for more popular people.

None of which is to say that it is impossible, just that maintaining realism is especially important. You will of course want a title which is obviously interesting (but not click-bait), and a great pull-quote from the article to go with the title. But more than this, you also need some way of getting your post noticed. And the best way to do that is to get it noticed by smaller venues so that the really really popular person sees it all over the place. This was the technique I used to get my article linked by Slashdot. It was a different take on a hot topic of the day, and I submitted it to many smaller blogs and news sites before I submitted it to Slashdot. When the article went up on Slashdot, they weren’t even that enthusiastic about my post but noted that they were getting told about it by everyone. There was unquestionably an aspect of it being the right-place/right-time since my post hooked into a news story which was exploding at the moment. I wouldn’t have been able to get an article linked which wasn’t satisfying such a large, though short-lived, demand. But I also wouldn’t have been able to get it linked if it weren’t for all the smaller sites linking to it and making it something people were talking about. And this plays into the numbers I mentioned above. If all thirty-three people in a day are telling the big writer the same thing, he’ll probably notice.

Be Realistic About the Results

And finally, if you do manage to get your post shared by someone with a big following, be realistic about the results. It’s great for your blog post that it got a lot of traffic, but this probably won’t have much of an effect on your blog itself. The number of people who will check out more of your blog varies with a lot of factors, but unless something is very well aligned, expect the number of readers you’ve gained to be below 1% of the number who visited. Again, just think about your own reading habits: how many blogs do you follow links to, versus how many do you become a long-term reader of?

This is, by the way, another reason to focus on making the blog post high quality. If you get linked by someone with a large following, this blog post is probably going to be the only thing of yours most people who read the post will ever read. So this is your one chance to give them something of value to carry with them for the rest of their life. Make your shot count.

Acting Confident vs. Being a Jerk

On By Christopher LansdownIn Uncategorized1 Comment

For some, the difference between acting confident and being a jerk is extremely obvious. For others, it’s mysterious to the point of thinking that the one is just code for the other. Unfortunately, the former are rarely able to explain how to tell the difference between the two to the latter. It’s actually not that hard, though.

Confident people speak like what they are saying is true and is important. Jerks speak like they are an authority and that they personally are important.

You can also see this distinction in each person’s attitude toward agreement. Confident people speak like they don’t need people to agree with them. Jerks speak like the world will end if people don’t agree with them.

From the above, it should be obvious that if you want to learn how to be confident, the first step is developing your knowledge and skills to the point where what you say is both important and true. If you know that they are, then there’s nothing special to do. In that case, all you have to do to act confidently is to refrain from certain mannerisms. In particular, don’t weaken what you say with “I think”, “it seems”, “in my opinion”, etc. They’re completely redundant anyway. If you’re saying it, people know that you think it.  If you said it, people know that it was your opinion. To speak confidently, just say what’s true, stop talking, and trust your listener.

And if you’re knowledge and skills are not to the point where you’re certain that what you’re saying is both important and true, then don’t act confidently. Consider not speaking at all, but if you do, this is the time for qualifying what you say with “it might be” and “I’m not sure”. But as soon as you’ve gotten that over with, go develop your knowledge and skills until you have something to be confident about.

When Small is Big

On By Christopher LansdownIn UncategorizedLeave a comment

On Twitter I recently posted this:

When it comes to seeming important, a small movement’s best friends are usually its enemies.

And got promptly asked what I meant by several people. So I might as well explain it here. There are three primary ways in which this is true:

1. Bogey Men Are Well Known

People often justify their own importance by the danger their enemies pose. Therefore they are prone to taking small groups and exaggerating the danger they pose to look important themselves. Doing this makes the bogey man they’ve chosen seem far more important too, though.

The classic example of this sort of enemy is somebody who is fighting a fight that’s already been won. They want to relive the glory days of old, but they just don’t matter any more. So they look far and wide to find some sign that the apocalypse is actually nigh and they are needed to fend it off. The result is that they seize on small groups and make them out to be a world-wide threat. It’s great publicity for the small group that they’ve seized upon. Unfortunately if the small group is actually bad, this is a net negative for the world, but people concerned with their own importance aren’t worried about that.

2. Rallying Points Rally

The thing about large groups is that they all have enemies. So when a large group attacks a small group, that small group becomes the most active place to fight the big group. This means that people who want to fight the big group will be drawn to the small group not out of any sympathy for the small group but only because that’s the place to be to fight the big group.

If the small group is extreme enough this can actually look like a tactical advantage to the big group. By causing their enemies to rally around the small group of wackos, some of the stink of the small group will rub off. This can backfire yugely, however, if the small group is not as generally unacceptable as the big group thinks that it is. The more extreme the big group, the greater the danger of this happening since somewhat mainstream groups look extreme to them.

3. Martyrdom Is Convincing

Having enemies gives you the opportunity to prove that you’re serious. It is only by having enemies than one can prove one’s courage and conviction. There is an almost Chestertonian paradox in this, but one cannot prove one’s valor on one’s own schedule. Real adversity can only come from the outside; it’s only adversity if there is an adversary. Or in other words, you can only show that you believe in a truth so much that you are willing to die for it if someone is willing to kill you for it.

It’s Normal to be Normal

On By Christopher LansdownIn Uncategorized1 Comment

Over at Amatopia, Alex writes about The Pinnacle of Flatness. To give a bit of the flavor of the post:

Extrapolate this line of thinking to cities and towns the world over. I’m sure you’ve noticed that Toronto looks like London looks like Los Angeles looks like Berlin, and so on. Not identical, but close enough. Modern architecture is but one way in which ideas of design seem to be converting on something universal…and kind of beige.

And then there’s urban sprawl and the explosion of squat, concrete strip malls, fast-food joints and gas stations, and big box stores everywhere. It seems like that’s all some towns are.

And this, of course, goes for the arts as well. Movies all feel the same, screenwriting formulae aside. Music, books, television shows, education, pop culture…the list goes on.

Then he asks the crucial question:

Is this just where things always lead? Is there an “ultimate design” that we as human beings have finally reached? Or is it the natural consequence of a society that embraces Adam Smith’s “capitalism” while rejecting the “guided by moral principles” part of the equation? In other words, is function driving this sameness, or is commerce? Or is something else?

Though Alex does have an important point which I’ll get to, I think even more important is to point out that his question is in some senses a very odd one. For most people throughout history, the big things tended to be very utilitarian. Dwelling places, transport, and to some degree clothing tended to be first utilitarian and second aesthetic. You have to be fairly rich before you can afford to spend money on non-functional design.

A manor house might well have heavily aesthetic influences in its design, but the average peasant’s hut would not have had a wide variety of designs whose purpose was to express the individuality of the owner. In the era before heavy machinery, those things take a lot of labor which a peasant could not have easily paid for. I don’t mean that people wouldn’t have decorated their houses to their tastes, but they wouldn’t have done much design to their tastes, since that mostly means varying the design from the most affordable one. There would have been variation in terms of adapting to the exact lay of the land, of course, but again that’s a result of not having the heavy machinery to turn anyplace into a decent building site.

Clothing is probably the biggest exception, but for the average peasant one’s clothing was made from fabric spun and woven by the women of the family, tending to limit one’s pallet to the colors wool and flax (etc) came in. And the designs tended toward those which required (and wasted) the least fabric to make, since so much work went into the making of that fabric. Modern clothing is unbelievably inexpensive since the spinning and weaving is all done by fast machines. There would have been variation because everyone made their own clothing and so it was all made differently, but that is a reflection of variations in workmanship, not in the expression of individuality.

But even more than the practical elements, aside from some people aspiring to fame and glory, human beings throughout most of history were not primarily concerned with distinguishing themselves from everyone else. They needed other people too much. Their primarily concern was solidarity with their fellow man. Your brothers and sisters and cousins and neighbors were all people you depended on for survival. Showing how special and unusual you are is a preoccupation of the rich, not of the common man. Novelty is also a luxury of the rich, who can afford to pay for it. But it doesn’t at all follow that novelty is all that good for human beings. Historically there were such things as diseases of the rich—chief among them obesity and various types of malnutrition caused by being able to afford things like white flour and white rice and foods prepared in expensive ways that also happen to leach the nutrients out into the less tasty part that the rich don’t need to bother to eat. I actually strongly suspect that novelty really isn’t all that good for human beings above a relatively small dose. People of above average intelligence—like Alex—can probably take higher doses—but on average novelty may actually be more destructive of happiness than conducive to it. Consider how important ritual—doing the same thing over and over—is to sanity.

Now, all that having been said, there is a very legitimate form of variation which is not available to the modern secular world. That is variation of virtue. A world which doesn’t understand virtue can’t tell stories of the interplay of different virtues, or how different men balance virtues in different yet good ways. As I’ve said, there’s That Story That Modern Screenwriters Can Tell.

Reader Expectations: A Conversation With Russell Newquist

On By Christopher LansdownIn Missing the Mark Podcast, WritingLeave a comment

I spoke with publisher, author, 4th Degree blackbelt (Shin Nagare Karate), Dojo owner, programmer, husband, and father of four Russell Newquist about reader expectations and how they influence how the reader perceives a work of fiction. (This is related to my post Predictability vs. Recognizability.) As with previous conversations we’ve had, we also talked about a lot of other things too. You can also watch the video on YouTube, if you prefer:

How To End Conversations

On By Christopher LansdownIn Life Skills, Uncategorized1 Comment

Recently the topic of ending conversations came up and so I thought I’d write down a brief guide to good ways to do that in case it’s helpful to someone who hasn’t seen good examples of it.

And just as a preface, if you want to exit from a conversation, don’t give the other person hints that you want to be out of it. You have very little control over how aggressively hints are interpreted, and in the best case people will wonder why you didn’t trust them enough to say what you meant. In general, passive-aggressive leaves a bad taste in people’s mouths. And further, if you want a job done, don’t delegate it to someone who may not want it done.

Before I get into specifics, we should first talk about the generalities of the situation, so that the specifics make sense. All conversations have between one and two purposes. Conversations which might be said to have no purpose will generally have the purpose of fulfilling social obligations to interact with people in some circumstances. Common purposes include:

  • Wanting human connection (to stave off loneliness)
  • Enjoyment of a subject with someone who also enjoys it
  • Passing the time
  • Communicating information
  • Being polite

For the most part, people are in a conversation for one of these reasons. Exiting a conversation in a way that does not offend the other person is primarily a matter of acting consonant with two propositions:

  1. The other person’s concerns matter
  2. the reason you are ending the conversation is that something of greater importance than the current state of the conversation has come up

The specifics of this depend on the reason the other person has for being in the conversation. Though one generality is to make sure to smile as you’re ending the conversation. Smiling makes everyone less likely to be offended, as long as your smile is commensurate with the words you’re saying. (For more, I’ve got a whole video about the use of smiling as communication.) Taking them in increasing order of difficult:

Being Polite

If the other person is in the conversation merely to be polite, which typically means something like the two of you are together and it would be rude to act as if the other person isn’t there, exiting the conversation politely is generally as simple as saying that you should do something else and saying it was pleasant to talk with them. (Note: there is no way to politely exit a conversation if you will still be in the situation where it would be impolite to not talk. “I’m going to stand here and ignore you while you stare at my forehead” will always be impolite no matter how you say it.)

Here’s my stop. It was nice talking you, and good luck with [thing person said].

Passing the Time

Related to being polite, passing the time is where conversation isn’t necessary but someone finds it preferable to the alternatives. When only one person is passing the time, this can be unpleasant for the other person but may be done as an act of generosity. If you’re the one passing the time and the other person has things they’d rather be doing, generally the best way out is to apologize, since it implicitly recognizes their generosity.

Well, look at me going on and on. I didn’t mean to take up so much of your time but thanks and I’ll let you get back to [whatever they were doing or should be doing].

If the other person was passing the time, then the key is to not make them feel like they were a burden. (Even if they were; odds are very good they’ll realize it on some level even if you say nothing and anything you say will probably over-communicate that message. If a person is constantly doing this to you, greater firmness will be required, but if at all possible escalate slowly.)

Hey, it was good talking to you but unfortunately I’ve got to get to [whatever you should be doing]. See you around!

Communicating Information

On the plus side, people generally don’t have emotional investments in communicating information. On the downside, these sorts of conversations can easily get lost in the woods and wander endlessly. The key to ending them is making sure that the other person has all the information that they need and that the conversation doesn’t accidentally become mutual politeness, like the time I and a group of college friends walked to the ATM before getting food together only to stand there and look at each other to see who needed to get cash before eating when none of us did. How to get out of this conversation will depend on whether you are the one who needs information or the one who is giving it. If you’re the one giving it (at a suitable time when you’re not interrupting a thought):

OK. Well, does that answer your question / give you what you need?

If they say no, then go back to trying to answer the question. If they say yes:

OK, great! I’m glad I could help, and if there’s anything else you need, just let me know.

If you’re the one who was asking the questions, how you exit the conversation will depend on whether you got the information you were after. If you did, this is easy:

Hey, well, that answered all the questions I have. Thanks you very much for all the information.

(At this point the other person may take a moment to point you to additional sources of information, such as books, websites, etc. Actually write this stuff down if you can because in the worst case a little effort here will make the other person feel better, and in the more common case you won’t have to ask for the recommendation all over again.)

If you didn’t get the information and it’s clear that you’re not going to, then it’s best to be a little vague, but of course within the bounds of honesty:

Hey, well, thanks. That gives me a sense of where to get started. I need to do some more research to come up with more focused, better-formed questions. But this gives me a good start for doing that.

On the real extreme end of having gotten nothing at all out of it, just thank them for their time. They’ll probably be more glad than you are to get out of the conversation. If they ask if that answered your question, I suggest discovering your inner skeptic. What can you really be certain of, anyway?

I’m not really sure, actually. I’ve got to think about it and figure out what it is I’m even trying to ask.

or

Possibly. I need some time to think it over and turn things over in my head and see if it makes sense or if there’s stuff I still need to ask about.

If it was such a cluster-fudge that you got information that was contradictory or you know to be wrong, stick to what’s true:

Well, thank you for taking the time to answer my questions.

Enjoyment of a Subject With Someone Who Also Enjoys It

This is the classic conversation between friends, at least when it’s going well. If this is actually going on with a friend, then it will probably be hard to go wrong, unless you have to leave early. With friends, openness is generally the best approach, so if something came up that means you have to run, say what it is.

Oh shoot. I promised my [blood relation] I’d [do something] now, so I’ve got to run. I need a few more hours in a day. Will you be available [time/date]?

This both gives them an entirely believable reason why you had to leave so quickly, and by making reference to when you next talk to them, communicates unambiguously that you want to continue the subject, or at least keep talking with them.

If the conversation has come to a natural close, then mostly all that’s needed is an acknowledgement that you enjoyed the conversation. Everyone has things to do in order to stay healthy and under shelter, so no real excuse is needed, though there’s no harm in providing one, either.

Well, it’s been great talking with you but I have to get going.

Or with an excuse:

Well, it’s been great talking with you, but unfortunately I need to [practical activity, such as eating or going to sleep].

If the conversation was not really symmetric, where the other person was far more into than you were, the excuse is more important. And to limit such conversations without giving offense, try to pick an early but not abrupt point to consistently end them; the other person’s sense of you being as into it as them will depend heavily on how participatory you are, so limiting your participation will naturally encourage them to look elsewhere while still thinking of you as meaning well toward them. (I’m assuming that you do; if you dislike someone and wish them ill, you don’t need advice on how to communicate that. Everyone knows how to shriek obscenities and throw things.)

Wanting Human Connection

This may be the hardest one since ending a conversation is inherently—if temporarily—severing the human connection which the other person is seeking. Accordingly, there isn’t a great way of doing this. There are actually two bad outcomes you need to try to avoid:

  1. Making the person feel unwanted or like they’re a burden
  2. Making the person think that you have more time to give them than you do, so that they are set up for disappointment when you don’t talk to them again as soon or for as long as they were expecting.

As is probably obvious, navigating this isn’t easy, since the easiest way to avoid one is to run straight into the other. The best bet is to express happiness that you conversed and to be very realistic about the next time you’ll talk. It is far, far better to over-estimate how long it will be than to under-estimate it. People are always delighted to hear from someone earlier than expected but feel quite bad about not hearing from someone when they expect to. This is of course difficult because the further off an estimate one gives, the less happy the other person will be to hear it. This is what tends to push us into giving under-estimates and disappointing them.

If this is a relative or other close person, it’s ideal to establish some sort of regularity. Calling every Saturday afternoon or Tuesday evening or whatever. The regularity both gives the person something to look forward to and eases the ending of the conversation because less will feel like it’s at stake. If they feel like they can rely on hearing from you again, it will be painful—but not nearly as painful—to say goodbye.

That said, the key is to strike a balance between being cheerful and acknowledging that the ending of the conversation is not a happy thing for the other person. Much of this is in the tone of voice, of course; something gentle with a note of sadness among a generally positive sound is the goal. If you can stick to a schedule, something like this:

Well, it’s time for me to get going. It was great talking with you, and I hope you have a good rest of the [realistic time period until you talk again]. I look forward to talking with you [tomorrow/next week/etc].  [If appropriate, this is where you stick professions of love and affection.]

If you can’t stick to a schedule, then something like this:

Well, it’s time for me to get going. It was great talking with you, and I hope you have a good rest of your day. I look forward to talking with you again. [If appropriate, this is where you stick professions of love and affection.]

Honestly,

On By Christopher LansdownIn UncategorizedLeave a comment

It is ironic that the English language does not have any literally-true colloquialisms for “what I am about to say would be too complex to say in a manner that complies with normal etiquette so I’m going to say it without normal etiquette but do not take it to mean that I think you are unworthy of etiquette and still less take it to mean what it would if you were to apply the normal etiquette-reversal filter we all use to know what the other person means”. The standard ways to say things I know of are:

  • “Honestly,”
  • “With respect,”
  • “With all due respect,” (this one really loses its effect since one isn’t bothering to figure out how much respect is actually due—which is not very respectful)
  • “I love him, but,”
  • “I consider him a friend, but,”
  • “To be blunt,”

None of these directly mean what is intended, though usually the speaker understands it from context. There’s not wrong with this. It’s how a lot of language works. It is, however, ironic, that the way one says that one will not use circumlocutions is with a circumlocution. (If you’re not familiar with the word, it means to talk around the subject rather than directly to it, circum=circle, locution=talking.)

The question might arise why we need to do this at all. Why not dispense with etiquette all the time and just speak directly? That would work in cases where everyone knows everyone else extremely well. In small, isolated groups of hunter-gatherers, for example. Outside of that, we mostly only have a basic sense of what someone means and have an instinctive tendency to take what other people mean in its most negative light. It’s safer that way. Etiquette exists in order to deal with this instinctive tendency. It softens what we say in a manner that doesn’t trigger our instinctive tendency to take everything strangers say as badly as possible, while its standardization means that we also know how to invert it to get at the original meaning at a higher cognitive level where our comprehension won’t trigger our fight-or-flight instincts. It’s cumbersome and time consuming but all safety is cumbersome and time consuming. This is also why there are protocols for temporarily setting it aside without losing all benefit from it.

Get Smart: The Next Generation

On By Christopher LansdownIn TV & Movies, WritingLeave a comment

In the year of our Lord’s incarnation 2008 a movie was released which was based on the TV show Get Smart. It was called—unsurprisingly but in a sense daringly—Get Smart. It starred Steve Carell and Anne Hathaway. It had some callbacks to the original, but other than that it had basically none of the spirit, tone, or style of the original. And I enjoyed the movie immensely. Before I proceed, let me note that I’m a big fan of the original. Here are my DVDs of seasons 1 and 2:

IMG_20180205_093637249

The TV show with Don Adams and Barbra Feldon was immensely fun. I watched it as a kid and still love it (as, I hope, my owning of two seasons of it demonstrates). So how could I enjoy a Get Smart movie which basically had nothing to do with the original?

Actually, that’s how I could enjoy it. Having nothing to do with the original, I could simply enjoy it on its own terms. It wasn’t pretending to trash something I loved, so I had nothing against it. And on its own terms, it was quite fun.

I should note that the movie did have a slight connection to the original, in that the Control which this Maxwell Smart worked for was hinted at as being the same that the original Maxwell Smart worked for; there’s a moment where Max passes a tour which include the original’s suit and shoe-phone and sunbeam tiger, and the tour guide is telling the people that Control was disbanded at the end of the cold war. That’s really the only connection; everyone in the original has retired, having done their duty and succeeded in protecting their country. And that’s entirely respectful of the original. It’s also approximately the amount the movie has to do with the original, so it fits.

Further, the writers of the new Get Smart actually developed their own ideas, rather than trying to milk the original ideas. And they broke with modern movie trends by not winking at the audience. I’m not sure why writers are so enamored of winking at the audience—my guess is it used to be cheap laughs and they’re desperate—but it is a profoundly annoying habit. Its complete absence in the new Get Smart allows one to enjoy the film as a film rather than as a nostalgic celebration of how you’re too cool to indulge in nostalgia.

Ultimately, I think that if next-generations/sequels/continuations must be made this is one of the better ways to do it. Pay some tribute to what you’re following and do something good that isn’t trying to be the original. The odds of recreating the original are approximately zero, anyway.

Urban-Fantasy.com—An Opportunity

On By Christopher LansdownIn UncategorizedLeave a comment

Silver Empire Publishing—the company who will be publishing my novel The Dean Died Over Winter Break—has just (as of February 2nd, 2018) announced an interesting opportunity for devoted fans of urban fantasy. (For those who don’t know what Urban Fantasy is but are reading this anyway, here’s the Wikipedia article on it. tl;dr fantasy in a modern-day setting.)

We’re looking for a few good contributors to our new blog! Applicants must be able and willing to provide regular blog posts on the following topics, all related to Urban Fantasy, Paranormal Fiction, or Supernatural Thrillers:

  • Book reviews
  • Movie reviews
  • TV reviews
  • Theory, critique and discussion
  • Analysis

They’re looking for people who will do this primarily for love of the genre because the perks (in addition to exposure) are related to free access to lots and lots of Urban Fantasy. If you’re interested, check out the link to the full announcement for details and how to apply.

The Problem With Outrage Quoting

On By Christopher LansdownIn Philosophy, Uncategorized, Writing1 Comment

I’m fairly careful to limit my intake of social media to people who say reasonable things. This is in part a survival strategy for Staying Sane on Social Media. However, this still leaves a fairly large vector for things which unbalance my mood and make me less effective at the main stuff I’m supposed to be doing: outrage quoting.

This is where a person who is themselves reasonable sees a very unreasonable thing, then quotes it to express their outrage at it. There’s also a variation on this where the person quotes it to make fun of it. The latter isn’t quite as bad as the former, but both do have the following problem: one is still being exposed to the crazy stuff one was trying to avoid.

Actually, it’s a bit worse than that—the people one follows are specifically filtering through the stuff from the unreasonable people to find the craziest stuff that they say. This can be extremely unbalancing to one’s state of mind. As I talked about in Social Media is Doomed, human beings aren’t designed to deal with a large number of strangers. We deal with people by acclimating to them, but it takes time and is harder the more different sorts of people we need to acclimate to. Even when we are careful to keep our reading to a set group of people to whom we’ve acclimated—there’s no requirement that these people agree with each other or with us, only that we’ve acclimated to them—outrage quoting constantly introduces new people to our notice who are saying crazy things that we haven’t acclimated to. This is extremely stressful to human beings.

Also, please note that I’m not talking about being exposed to new ideas as being stressful. There are some circumstances in which that can be stressful, but usually it’s quite manageable. I’m talking about running into expressions of ideas we’re not used to. Perhaps we know somebody who will say #KillAllMen and we’ve gotten used to this eccentricity. There is no new argument to be found in a person saying, instead, #CastrateAllMen (I made that up; who knows, perhaps I will have actually come up with an absurd example that the universe didn’t beat me to for once). But if we’re used to the former and not the latter, the latter will be far more stressful to run into. There’s a new person here, and people are complex. They’re also dangerous. A stress reaction to having to deal with a new person is actually entirely appropriate. Best case scenario is a big drain on your emotional energy is incoming.

Except that this being a one-off quote means that actually, a big drain on one’s emotional energy isn’t incoming because you don’t actually need to get used to this new person. You’re almost certainly never going to see them again. And therein lies one strategy to help mitigate the stress from encountering outrage quoting: focus on how this is a person you’ll never see again and how they don’t really matter.

I don’t have any other good suggestions, other than be careful about people who do a lot of outrage quoting. But certainly I think the golden rule applies, here: be very careful when quoting to make sure that one isn’t outrage quoting. For example, when I wrote a humorous blog post about that CNN article on cuckolding (CNN’s Love of Cuckolding), I started it off with explaining why it doesn’t matter and isn’t worth stressing over. And I’ve stopped myself from quoting outrageous things often enough that it’s now becoming a habit to not quote outrageous things. Still, it’s something I always keep in mind—if I’m quoting something, what effect will seeing that have on the people who read what I write?

Science Fiction as Limited Fantasy

On By Christopher LansdownIn Writing1 Comment

Readers of my blog will remember that I have been wrestling with the question of what is science fiction, and whether science fiction is just bad fantasy (see What If The Future Has Past?). Not, mind you, because I dislike science fiction, but because I like it. I’m working on a sci-fi story and have hit something of a block because I have yet to come to grips with what Science Fiction is, at its core.

If it’s going to be fantasy, well, I’m very fond of high fantasy. I love swords and sorcery. Why why stuff that could reasonably have swords and sorcery without the swords or the sorcery?

A possible solution recently occurred to me. High Fantasy exists on a continuum of how common magic is. It ranges from very common to quite uncommon. The solution is this: what if Science Fiction is fantasy with uncommon magic and modern technology? The burying of magic inside of devices (“warp/wormhole/etc drive”, “shield generator”, etc) is a way of forcing it to be uncommon. If you need a big expensive device to house your magic amulet, this serves as a limiting function to keep the magic rare.

I’m not committed to this idea at all. It’s basically just thinking out loud. It at least gives a framework to think about science fiction which makes more sense than as various degrees of cheating at an unattainable goal (interstellar speculative fiction).

And as a disclaimer, please don’t take this as criticism of science fiction or of fans of science fiction. This is me trying to work through a way to understand science fiction stories so as to be able to write them. Because there’s an obvious reason Why Science Fiction Will Never Die.

We Live In Cycles

On By Christopher LansdownIn PhilosophyLeave a comment

In C.S. Lewis’s The Screwtape Letters (if you haven’t read them, see the note at the bottom for context), he observed that human beings live according to cycles. It’s in the beginning Letter 8:

Humans are amphibians—half spirit and half animal. (The Enemy’s determination to produce such a revolting hybrid was one of the things that determined Our Father to withdraw his support from Him.) AS spirits they belong to the eternal world, but as animals they inhabit time. This means that while their spirit can be directed to an eternal object, their bodies, passions, and imaginations are in continual change, for to be in time means to change. Their nearest approach to constancy, therefore, is undulation—the repeated return to a level from which they repeatedly fall back, a series of trough and peaks. If you had watched your patient carefully you would have seen this undulation in every department of his life—his interest in his work, his affection for his friends, his physical appetites, all go up and down. As long as he lives on earth, periods of emotional and bodily richness and liveliness will alternate with periods of numbness and poverty. The dryness and dullness through which your patient is now going on are not, as you fondly suppose, your workmanship; they are merely a natural phenomenon which will do us no good unless you make a good use of it.

Our lives are lived according to many cycles, some independent, some interrelated. What Lewis refers to as troughs and peaks are actually the lining up of many troughs at the same time, or many peaks at the same time. What are these cycles?

There are some obvious cycles, like the diurnal cycle we live in every day (day/night). There are longer cycles, like weekly, monthly, and yearly cycles, too. Work weeks, weekends, pay days, construction seasons, busy season, and all sorts of other cycles affect us. But probably least well appreciated are feedback cycles.

It’s not uncommon when feeling well rested to make the mistake of staying up too late. If we do this a little bit we get progressively more exhausted during the days until we simply can’t do it and start getting enough sleep. Once we’ve gotten enough sleep, we’re ready to start getting too little sleep again.

Another common feedback cycle is the stress cycle. When we’ve got plenty of emotional energy, we tend to be more tolerant of people taking up our time and placing demands on us which consume a lot of emotional energy.  More things on our to-do list, more leniency for people being annoying, more patience with people being rude or unappreciative. Lots of things can consume emotional energy which we can deter or allow to consume more. The better we’re feeling the more generous we tend to be. But as that continues, our surplus gets used up. Depending on what we tolerated, this might have resulted in increased demands past the rate at which we replenish emotional energy. This continues until we’re emotionally exhausted and start being defensive of our energy. This might result in simply turning things down, or it might result in bad temper. (Like all cycles, one deals with it best when one is realistic about it; letting oneself get pushed to complete exhaustion is a terrible idea because it makes us most likely to explode at small irritations.)

There are other feedback cycles in life, like entertainment versus unpaid work or spending time with friends versus solitude. They’re all around us, if we look for them. There’s value to identifying them, but life is complex enough that we also need to be able to recognize when there are cycles we don’t know about at work. Some days we just feel awful and if it’s the result of cycle troughs lining up, it may just be time to go to bed early and soon things will be better. Some days are great because of peaks lining up and it can be a good idea to take advantage of them rather than expect them to be the new normal. It’s also helpful to try to recognize the feedback loops and smooth them out—especially the troughs—by anticipating them and adjusting before things get too extreme.

We live tossed around in the waves. It’s a good idea to learn to surf instead of being tossed around, gasping for breath.

About The Screwtape Letters

The Screwtape Letters are written as a series of letters from the demon Screwtape to his “newphew”, the demon Wormwood. Wormwood is the demonic parody of a guardian angel assigned to a human being to try to corrupt him and trick him into damning himself. Only Screwtape’s letters offer advice to his “nephew” on how to do his evil work. All of Screwtape’s letters are good advice on how to damn a soul; as such they are really advice on how to live well (in the sense of being upright or good) presented in what you might call photographic negative. What is good, Screwtape calls evil; what is evil, Screwtape calls good. But that’s true in all cases, so one very easily learns the habit of just flipping everything around.

Reading the book—which is excellent, and I highly recommend—is an interesting experience. Probably the closest analogy I can come to is honestly examining one’s conscience for faults with the intention of improving.

MST3K’s Complaints About the 80s

On By Christopher LansdownIn UncategorizedLeave a comment

I was just watching one of my favorite Mystery Science Theater 3000 episodes, Space Mutiny. During the end credits, Mike and the bots are complaining about the 1980s. Actually, I’ll just quote it since the people at the MST3K wikia kindly typed it up:

Crow: You and your ’80s!
Servo: Your precious ’80s!
Crow: You know it would’ve continued to be the ’70s if not for you!
Servo: Yeah!
Mike: All right, all right, that’s it, that tears it!
[Mike attacks Crow and the three begin fighting on the floor]
Crow: You want a piece of me! It’s go time, ’80s man!
Servo: Come on cool-breeze! Ow owie ow don’t!
[After a while Mike sits up]
Mike: Wait, wait you guys, wait, this isn’t us man.
[Pause of a second]
Servo: Yes it is, you hair-feathering freak! Get him!
Crow: No, no, Servo, he’s right, he’s right. This movie has us turning on each other! It won’t end! These credits just won’t end! [sobbing]
Servo: [sobbing] It’s just like the stupid ’80s, they never ended either!
Mike: No no, actually they did end Tom, there there, it’s okay. See, see there’s the copyright, that means it’s over.
Servo: [sobbing] I’m sorry, Mike!
Crow: [sobbing] Sorry, Mike!
Mike: It’s all over, you guys. I’m sorry too.

I’ve never blinked at that, but here I am watching this in the year of our Lord’s incarnation 2018, where the 1980s are a distant memory of my childhood. And of course tons of material from the time like movies and songs and such. But MST3K has been off the air for quite some time, and it occurred to me to wonder when this episode was first aired. It turns out that it was aired in 1998. That’s just 8 years after the 80s came to a close. The 1990s weren’t the same as the 1980s, to be sure, but my recollection is that they weren’t nearly as different as the 1980s were from the 1970s.

Granted the above interaction was exaggerated for comedic effect, but it’s curious to see a perspective on the 1980s from relatively close to it.

Incidentally, my recollection of the 2000s is that, culturally, they weren’t all that different from the 1990s and that the 2010s are even less different from the 2000s. Certainly things changed, of course. People do dress somewhat differently, though among the mainstream (rather that people who live and breathe fashion) not *that* differently. And of course streaming is a huge thing these days. But at the same time I wonder if the prevalence of recorded media, both VHS/DVDs/Blu-Ray and streaming, will act to be something of a break on cultural change. There’s money to be made in back-catalogs, and new stuff tends to be more expensive. Plus most new stuff is garbage—in comparison to the best stuff of the last 50 years. (And atheists can’t tell decent stories.) This may partially be why so much of what’s made these days is remakes. This isn’t a well developed thought, just something that occurred to me.

CNN’s Love of Cuckolding

On By Christopher LansdownIn Just For Fun4 Comments

Sometimes things come along where you just have to have some fun with them. CNN’s article titled, “Cuckolding can be positive for some couples, study says” is one of those things (it’s here, if you must go read it.). But before I get into it, I want to make clear that I’m pretty sure that there’s no need for concern. Our society may be degenerating rapidly, but I don’t think that this article is contributing in any way. I think it’s just click-bait. On the internet, as brands like CNN devalue to worthlessness, one way of capturing money before the proverbial ship sinks is to post outrageous stuff so that people click in a huff. Energy for outrage is a limited quantity for human beings, so it’s best to spend it on things that matter. Insincere clickbait should just be laughed it. It’s healthier and leaves you with the energy to be angry about more important things. And this article didn’t even try to be plausible. So let’s take a look:

In our current political climate, the term “cuck” — short for “cuckservative” — has become an insult of the so-called alt-right, aimed at men they view as spineless and emasculated. The slur has its roots in the concept of cuckolding, or having an adulterous partner.

So it starts off with a political dig, if a somewhat mild one. But it sets up a group as the people who think negatively of cuckolding, so that there is political division. This is a good way to try to generate outrage in order to bring the clicks in. Also, the term’s roots are not in having an adulterous partner, but in a man whose wife is adulterous. And further the roots come from the cuckoo, who lays its eggs in other birds’ nests and whose babies are raised by those other birds at those other birds’ expense. Obviously there wasn’t much effort put into this article. Actually, I’m really curious how the author of the article knew so little. If he had gone to Merriam-Webster, Wiktionary, or even Urban Dictionary he’d have known it wasn’t a gender-neutral term. (And Wiktionary mentions the Cuckoo bird.)

But according to a recent study by David Ley, Justin Lehmiller and the writer Dan Savage, acting on cuckolding fantasies can be a largely positive experience for many couples, and hardly a sign of weakness.

Yeah, right. So on the pro-infidelity side, we have a recent study by two people, and a sex advice columnist. Noted.

References to cuckolding appear in literature as early as the 13th century, usually in the form of male characters who fear that their child has been sired by another man during an act of infidelity. Today, however, cuckolding has become fetishized into a powerful sexual fantasy for some men, who get aroused by the idea of their romantic partner engaging in sexual activity with someone else.

What is a “powerful sexual fantasy”? How is this distinguished from a “weak sexual fantasy”? Can one harness the power in a powerful sexual fantasy to produce electricity? Now, I do get that the term is meant to refer to a fantasy which captures the imagination of the person doing the fantasizing. I’m not objecting that this is meaningless, I’m only objecting to the grandiose language meant to make it sound like more than it is. Somebody obsessing over a fantasy is not power, it’s obsession. Properly speaking, it’s weakness. Fantasizing, though harmless when indulged in occasionally, is weaker than dealing with reality. Also, “some men” can be properly said of “2 men”. It’s worth bearing in mind.

Women also share this fantasy, but less so than men.

Noted. Also, I’m not sure this even counts as a sexual fantasy given that the person doing the fantasizing isn’t involved. Could a man be described as having a “boxing fantasy” if he wants to watch to other men box? What about boblsed fantasies if he intends to watch the winter olympics?

“This fantasy has been around as long as marriage and sexuality,” said Ley, whose book “Insatiable Wives” addresses cuckolding in heterosexual couples. “But we’re hearing more and more about it these days, and more people are rejecting the social stigma against this fantasy.”

I understand that sometimes it’s inconvenient to use hard numbers, but at the same time, this would be true if 1 man rejected the social stigma in 1437, and two men have rejected it in 2016 and three men have rejected it in 2018. Though I’m really curious what evidence he has that the fantasy of being cuckolded has been around in the earliest days of history. I wasn’t aware of cuneiform tablets and hieroglyphics detailing people’s sexual fantasies.

Indeed, the numbers suggest that cuckolding, or at least thinking about it, is more common than you might imagine.

Since it’s possible that I imagine that literally no one fantasies about this, it would be impossible for it to be less common than I might image. That’s actually how many people I imagine fantasize about this, by the way.

For his forthcoming book, “Tell Me What You Want: The Science of Sexual Desire and How It Can Help Improve Your Sex Life,” Lehmiller surveyed thousands of Americans and found that 58% of men and about a third of women had fantasized about cuckolding.

The way this sentence is constructed, it’s saying that 58% of men had fantasized about cuckolding someone else. Being cuckolded is what the article is about, however. I doubt that this ambiguity is an accident.

Though, at the same time, I should note that this sounds vaguely like the Kinsey Reports. There are two relevant things to note with the Kinsey Reports:

  1. They were rife with methodological errors. For example, it seems likely that people who were molested as a child by a same-sex molester would count as having homosexual experience. (Not that they were intentionally counted as such, but that they wouldn’t have been filtered out.)
  2. Kinsey was a sexual pervert who desperately wanted to normalize his deviance. By the end of his life he would do things like tie a string tightly around his testicles and jam a toothbrush up his urethra, bristle side first, in order to obtain sexual gratification.

That similarity does not mean that either #1 or #2 apply to the people behind the current study. On the other hand, I think that the presumption should be against people who are trying to claim that sexual deviance is normal.

“Men are more likely to fantasize about cuckolding, and they do it more often — but there are a number of women who have these fantasies as well, which points to the need for more research focused on women’s cuckolding desires,” Lehmiller said.

I wonder if there are studies which don’t say that there is a need for further research? Scientists do have to eat, after all. Skipping a bit:

Part of what makes cuckolding arousing for heterosexual men is that they tend to view it as a taboo act.

I will backtrack slightly and say that I’m sure that there are some people who get a bit of excitement out of doing something that they know that others would disapprove of. It’s a feeling of power—that they’re able to get away with it. To do it without suffering the disapproval because their actions are secret. They’re veritable masters of the universe! But that’s not really a fantasy about cuckolding, that’s a fantasy about sticking it to the people whose approval they want. It will take any form that’s legal and disapproved of. Today cuckolding, tomorrow using inapplicable racial slurs, the day after telling the woman that she shouldn’t be able to vote, and the day after that pretending that the woman is a minor under the legal age of consent. This is still not going to be a large number of people, but there’s absolutely nothing specific about cuckolding in this.

“In a society or culture that idealizes monogamy, the cuckold fantasy is a current narrative that is available to people to conceptualize their sexual fantasies,” said Ley.

That sentence says nothing behind “cuckolding as a fantasy can exist”. I mean, think about it. “the cuckold fantasy is a current narrative that is available to people” just means that cuckolding as a fantasy can be a fantasy people can have. “to conceptualize their sexual fantasies” is just saying the same thing over again. It’s not like the first part of the sentence left it open whether “the cuckolding fantasy is a current narrative that is available to people” to compute the square root of irrational numbers. The first part is actually wrong, or at the very least overly narrow. Cuckolding would be taboo in any society which has a concept of sexual fidelity, including polygamous ones. Which is to say, it is taboo in literally all human societies which have ever existed on earth. So, in sum, “cuckolding is a fantasy which it is possible to have”. It is logically possible, it must be admitted.

Skipping a bit that says about as much as the above:

And the emotions surrounding seeing your partner with someone else can add to the turn-on, explained Savage. “It’s not cuckolding if there isn’t an element of humiliation, degradation or denial,” he said.

Don’t worry. The humiliation and degradation are guaranteed.

“Our erotic imaginations have the ability to turn shame lemons into delicious kink lemonade.”

People strangle themselves for fun, too. So what?

As a sex therapist, one of the more intriguing findings from this study involves the impact of cuckolding on relationships.

OK, we’re getting to the good part.

“Overall, our research found that for the most part, cuckolding tends to be a positive fantasy and behavior,” said Ley. “It doesn’t appear to be evidence of disturbance, of an unhealthy relationship, or of disregard for one’s partner.”

Hahahahahahahaha. Of course, what’s really meant is “according to some metric we’re using”. You know, like “number of screaming matches per month”. The same technique would allow you to show that murdering your partner doesn’t have an adverse affect on your relationship (as measured by, say, instances of putting itching powder in their underwear drawer) and in fact may have a positive impact (as measured by a reduction in the number of fights reported).

 But there’s an important caveat, added Lehmiller. “We found several personality factors that predict more positive experiences acting on cuckolding fantasies. For those who have a lot of relationship anxiety or abandonment issues, who lack intimacy and communication, and who aren’t careful, detail-oriented planners, acting on a consensual non-monogamy fantasy could very well be a negative experience,” he said.

One of those things is not like the other. Cuckolding is, according to their metrics, only for detail-oriented planners. heck, forget how that’s very different than  having “relationship anxiety” and “abandonment issues”. There just aren’t that many detail-oriented planners in the world. So cuckolding turns out to only be for secure people who aren’t worried about their relationships but are also fussy and obsessed with control about the future. Does anyone fit that description?

“In other words, not everyone who has a cuckolding fantasy should think about acting on it.”

No kidding.

There’s a paragraph which reads like the fine print on a sales pitch, then we get to this:

“For men and couples considering the issue of cuckolding, it’s important there be honesty, integrity, communication, mutuality and shared values,” advised Ley.

And all of these things have to be between two detail-oriented planners who are fine being alone and don’t worry about the relationship breaking up. I suppose that if his advice results in no one qualifying, he can’t be blamed when it doesn’t work.

“I’ve seen men who try to trick their wives into cuckolding them, and this never, ever ends up well.”

I’m shocked! Shocked, I tell you. I can just imagine how this goes. “OK, Debbie, I’m going to turn off the lights and do my best impression of my friend Dan. I’m really good at it, but it’s definitely me, I promise. Why am I doing an impression of him? Oh. Well. Um. Just for fun. I mean, it’s totally normal to convincingly pretend to be someone else. And it’s definitely not a trick, so just let me turn the lights off and enjoy my impression of Dan while we make love. Look, honey. It’s just that I think he has an amazing voice. Oh, and if you happen to touch my face I’m going to be wearing a fake beard just to help me get in character. But it will definitely be me, I promise.”

How could that possibly not work out well?

History Is Safe Because It’s Over

On By Christopher LansdownIn Missing the Mark Podcast, UncategorizedLeave a comment

Some thoughts on historical fiction and our perspective on history. In particular, how knowing the outcome of history makes it hard to relate to the things historical people worried about, and how this colors our view of them and their actions. You can also watch this on YouTube:

Movie Magic

On By Christopher LansdownIn Uncategorized1 Comment

When I was a kid, there was a TV show on the discovery channel called Movie Magic. It was about special effects, I believe. I never watched it that I can recall. But its title has stuck with me all these years later. It strikes me that its title captures something fundamental about movies: movies are magic. Even bad movies. I’ve been reminded of this as I’ve been watching Hobgoblins.

hobgoblins

It was Rick Sloane’s third movie and had a budget of $15,000. According to an inflation calculator I tried, that’s the equivalent of $31,337 today. And they didn’t have digital photography or editing back then. It’s not a good movie by any stretch of the imagination, but the acting, camera work, editing, and so on were… competent. Not compared to big budget movies, but compared to other tiny-budget movies. There were characters who were written and played consistently from start to finish. And the result was that this movie—bad as it was—had that movie magic.

Movie Magic is, specifically, the creation of a world. Not merely a temporary world, but a world which lasts in the imagination of those who watched it. As cheesey as the scenes between Macready and his boss were, in some sense they happened. In some sense this was a movie studio boss’s office:

hobgoblins-boss

It doesn’t make much intuitive sense, and yet it’s true.

And I think that it’s the people who have that sense of movie magic who are the primary fans of Mystery Science Theater 3000. We’re fans of it because it’s an opportunity to laugh at ourselves. Because every one of us would jump at the chance to be part of movie magic. Every one of us would make the compromises which are unavoidable when you have a budget of $31,338. But for all those tradeoffs, the movie would still be a movie. It would still be a bit of reality with places and people we made out of thin air. Maybe we’d write better dialog, but even if we didn’t it sure would be something to be part of making a movie. And I think that we all know that on some level that’s ridiculous, which is why we enjoy laughing at ourselves so much.