In the year of our Lord’s incarnation 2008 a movie was released which was based on the TV show Get Smart. It was called—unsurprisingly but in a sense daringly—Get Smart. It starred Steve Carell and Anne Hathaway. It had some callbacks to the original, but other than that it had basically none of the spirit, tone, or style of the original. And I enjoyed the movie immensely. Before I proceed, let me note that I’m a big fan of the original. Here are my DVDs of seasons 1 and 2:
The TV show with Don Adams and Barbra Feldon was immensely fun. I watched it as a kid and still love it (as, I hope, my owning of two seasons of it demonstrates). So how could I enjoy a Get Smart movie which basically had nothing to do with the original?
Actually, that’s how I could enjoy it. Having nothing to do with the original, I could simply enjoy it on its own terms. It wasn’t pretending to trash something I loved, so I had nothing against it. And on its own terms, it was quite fun.
I should note that the movie did have a slight connection to the original, in that the Control which this Maxwell Smart worked for was hinted at as being the same that the original Maxwell Smart worked for; there’s a moment where Max passes a tour which include the original’s suit and shoe-phone and sunbeam tiger, and the tour guide is telling the people that Control was disbanded at the end of the cold war. That’s really the only connection; everyone in the original has retired, having done their duty and succeeded in protecting their country. And that’s entirely respectful of the original. It’s also approximately the amount the movie has to do with the original, so it fits.
Further, the writers of the new Get Smart actually developed their own ideas, rather than trying to milk the original ideas. And they broke with modern movie trends by not winking at the audience. I’m not sure why writers are so enamored of winking at the audience—my guess is it used to be cheap laughs and they’re desperate—but it is a profoundly annoying habit. Its complete absence in the new Get Smart allows one to enjoy the film as a film rather than as a nostalgic celebration of how you’re too cool to indulge in nostalgia.
Ultimately, I think that if next-generations/sequels/continuations must be made this is one of the better ways to do it. Pay some tribute to what you’re following and do something good that isn’t trying to be the original. The odds of recreating the original are approximately zero, anyway.