Looking up the credits of an actress in a Murder, She Wrote episode, I discovered that there was a Casablanca TV series made in 1983 (she guest starred in an episode). It only ran for five episodes, though the reviews for the DVD on Amazon say that this was a pity because it was actually good.
There is a clip of the title sequence on YouTube, which uses the song As Time Goes By as the theme song for the show:
I’ll admit that it looks better than I expected, though it still doesn’t fill me with confidence. At the time of writing, the DVD is out of production and used copies are going for $80 and up, so I’m not likely to find out for myself what it was really like. This sort of thing is the reason why copyright should have a relatively short initial term (like 20 years) and require active renewal in order to be extended, if extensions are really necessary. It would be really interesting to find out what the heck this show was, and I really doubt that anybody is seeing royalty checks from it these days anyway.
Supposedly this was a prequel show to the movie, focusing on the small, local adventures of Rick. It’s kind of crazy that this got as far as having one episode made, let alone five!
I was recently passed this interesting tweet which embeds a few seconds of video where you can see how the special effects department of the old 1980s TV show Knight Rider pulled off KITT (Knight Industries Two Thousand, a super-advanced car, voiced by William Daniels) doing his super-high-tech driverless driving.
This sort of thing happened a lot in special effects, in the days before everything was done with CGI. Special effects people tended to be ruthlessly practical and also to have an excellent sense of exactly what would show up on the televisions of the day. And the televisions of the day were not great.
The actual technical specifications are complex, but, approximately (in America), televisions had about 640×480 pixels, and only drew half of them at any given time (even rows were drawn in one frame, odd rows in the next frame, alternating, so that any given row was drawn 30 times per second). Then when you combined the various aspects of transmission and manufacturing, colors weren’t as precise so the whole image would be fuzzier. You got a decent image, but you didn’t see details. Special effects people knew this very well.
The result is that high-definition blu-ray editions of early special-effects-heavy TV shows actually do something of a disservice to the show. In Knight Rider, you can see the guy driving the car when it was supposedly driving itself. In Star Trek you can see that the rubber texture on the gorn’s suit. These really don’t enhance one’s enjoyment of the show.
I’m not sure what the solution is, or if there even is one. Not that many shows from the age of special effects are really worth watching, these days, so it’s not too big a problem.
One thing that helps a bit when I watch the bluray of Star Trek with my eleven year old son is that we watch it on my computer monitor while we sit on a couch twelve feet away. You can’t see the textures on the gorn suit quite as well on a 28″ monitor when you’re that far away.
From the comedians Tripp and Tyler, we have Regular People Stunts:
It’s funny, but there’s an interesting point to it, too, which is that with a combination of great camera work, good editing, good acting, and intense music, they make very ordinary things look amazing. It’s a lesson about what one sees on television and in movies, and how much of it is really what you’re seeing versus how it’s presented.
In his YouTube channel The Symbolic World, Jonathan Pageau has an interesting video about the symbolism of conspiracy theories:
It’s a very interesting video and very much worth watching. He talks about how conspiracy theories have a tendency to be symbolically true (at least from the vantage point of the conspiracy theorists) even though they tend to be factually wacko.
For example, consider the conspiracy theory that the moon landing was faked. Actually executing such a conspiracy in a way that would usefully fool the Russians (who were the primary audience for the moon landing) would be absurdly difficult. This Mitchell & Webb sketch isn’t terribly accurate, but it will suffice for my present purpose, and as a bonus it’s funny:
The idea that the moon landing was faked on a sound stage is ridiculous if you try to think it through, but it’s interesting what it means if you take it symbolically. Doing the moon landing on a sound stage symbolizes that going to the moon was not a real capability. Not in the literal sense that we couldn’t do it, but that we couldn’t keep it up. And, indeed, we couldn’t. Going to the moon was a cold-war flex on the Russians designed to try to win that war without resorting to nuclear weapons. If you want to know why, in 48 years, we haven’t been back to the moon, the real reason is obvious if you just look at a picture of NASA’s budget over time (moon landings took place from 1969-1972):
Going to the moon is extremely expensive. Absent dunking on the Russians, it’s really hard to justify spending a ton of money on it. Following the few years where we did it to dunk on the Russians, we in fact haven’t spent a ton of money on it. So, was the whole “We can go to the moon! We can do anything!” thing a lie? Yes. In a sense, it was.
There are an awful lot of things that we, as a society, could do if we decide to allocate a large fraction of our national resources to it. We could bell every cat to protect the song birds. We could build high speed trains connecting every city with at least ten thousand people in the country. We could give every person their own pet robot elephant, if we wanted to. However, none of these things—and many others—are worth the trouble. There is some technical sense in which we could do these things, but we can’t do them in the very practical sense that we won’t do them. We don’t want to do them. We might airily daydream that they would be nice. Especially the robot elephants. But when it comes to the actual things rather than merely a passing thought about them—we don’t want them if we’d have to actually do them in order to get them.
And so it is with going to the moon. It is possible that in another decade or two SpaceX and its competitors will have brought down the cost of massive rockets enough that someone will consider the few hundred million dollars it will probably cost worth it. If so, it will not really change things; going to the moon was supposed to usher in the space age. Instead, we’ve stayed firmly on the ground because, quite literally, there’s nothing in space and therefore no reason to go there.
In short, there were people who hoped that the moon missions meant that we’d soon be building these:
The conspiracy theory that the moon landings were faked basically means that we aren’t. And that part—the practical part—is right. We’re not building a Stanford torus anytime soon.
From the same people who brought us Hotel Inn, we have a video conference call in real life:
Amusingly, despite having worked from home for over 10 years, I’ve never done a video call for work. It’s funny because in theory they should be superior, but I can count on a single hand the times I’ve been on a conference call at work and wished that we had video to go with the audio.
One tip I can give about conference calls over the phone for anyone new to them is to invest in a high quality set of headphones that puts sound into both ears. It was way easier to understand people when both ears are hearing the same thing and your brain can process what it hears in the way it’s used to. The quality is important, too, because if there is no distortion on the audio, it’s much easier to tell what people are saying. This applies not just to the fundamental frequency which their vocal cords are producing, but also to the higher frequencies produces by the mouth (called “formants”) which help to distinguish sounds like “ba” “ta” and “da” or “eh” and “ee”. A high quality speakerphone (which can do full duplex) will work, too. Cheap speakerphones are almost worse than nothing, though.
I recently met an oddly aggressive person on Twitter (a shock, I know, please pardon me, dear reader, for not having warned you to sit down first) and that made me think of a line from the delightful song, I’ll See Your Six.
The line I’m thinking of is
The things you will run into the people that you meet Walking all alone along a New York City Street.
Twitter can be much like New York City streets. You meet the strangest people there. For much the same reason; just as in NY during the time the song is referring to crime was rampant and largely not prosecuted, there are very few repercussions for being unnecessarily aggressive with people on Twitter. I don’t mean that as a call for greater policing of Twitter, mind. Just an observation on the relationship between inducements and behavior in our fallen world.
And possibly also the observation that, like in the song, it is well to travel armed—as is appropriate to the circumstances—in such places.
I can’t recall if I’ve mentioned this before, but this is a really great song:
There’s a slow intro that takes about 50 seconds before it gets to the song, which is upbeat and fun. The basic theme is it doesn’t matter what you do or how healthy you get, you’re still gonna die. The whole song is fun, but I’ve got two favorite lyrics:
You can search for UFOs, up in the sky. They might fly you to Mars, where you’re still gonna die.
The other is in reference to the idea, popular for a while, of cheating death by disease by using cryogenics to become frozen and being thawed out at a later date when the disease is finally curable, to be able to live out the rest of one’s natural life then.
You can have yourself frozen, suspended in time. But when they do thaw you out, hehehe, you’re still gonna die.
My third favorite lyric is probably:
You can get rid of stress, get a lot of rest, get an AIDs test, enroll in Est, move out west, where it’s sunny and dry, and you’ll live to be 100 but you’re still gonna die.
It’s not a perfect song; the ending, in particular, where the moral they draw is that you should have some fun before you say bye bye, is so much less than it could have been. Still, the song is so well constructed you don’t need them to draw better conclusions for you; that’s easy enough to do for oneself.
If you’ve been around a while, you will probably have encountered some form of this man, who gave up swimming:
There are obvious religious parallels to a certain sort of atheist, but you’ll find this sort of thing in hobbies, in friend groups, even the occasional person who keeps hopping from girlfriend to girlfriend or boyfriend to boyfriend or even marriage to marriage. It’s a pretty universal phenomenon.
Today’s XKCD on the South America map projection is pretty funny:
The thing is, you have to read the alt text to really get the joke. It is:
The projection does a good job preserving both distance and azimuth, at the cost of really exaggerating how many South Americas there are.
(If you aren’t familiar with the debates over map projections, the fundamental problem a map has is that it’s impossible to correctly project the surface of a sphere onto a flat (uniform) 2-dimensional surface like a piece of paper. Something must be distorted in order to do it; the typical Mercator map greatly exaggerates the size of things at extreme latitudes. Other projections, such as the orange peel projection, tend to get relative sizes more correct at the expense of not being able to measure distances accurately. There are other kinds of map projection with other tradeoffs, too, each with those who strongly favor them while criticizing the rest.)
I recently introduced my children to the style of humor called Chuck Norris “facts”. If you don’t know who Chuck Norris is, here’s him as a young man fighting Bruce Lee:
And here is an older Chuck Norris playing Walker, Texas Ranger:
Since he (that is, his character) eventually loses in the fight with Bruce Lee, I presume that Walker, Texas Ranger has more to do with Chuck Norris’s reputation. Be that as it may, there is a popular style of humor which is a list of facts about Chuck Norris that describes how tough and good at fighting he is. For example
A cobra once bit Chuck Norris on the leg. After five agonizing days, the cobra finally died.
Another great Chuck Norris fact is:
Chuck Norris’s periodic table only has one element on it: the element of surprise.
My boys (at the time of writing, 10 and 7) have really taken to these facts, and even tried inventing their own. The seven year old understands the element of exaggeration, but he (unsurprisingly) has difficulty with the element of setting up an expectation. So his versions tend to be things like:
Chuck Norris can punch a black hole and blow it up.
I’m not normally one for puns, but it lacks punch. Anyway, there are a lot of great Chuck Norris facts. I’m not going to reprint an entire archive of them (many of which can be found with a simple google search), but here is a selection of my favorites:
On a math test, Chuck Norris answered “violence” for every problem and got an A+, because Chuck Norris can solve every problem with violence.
Chuck Norris can speak French, in Russian.
Chuck Norris can kill two stones with one bird.
Chuck Norris can strangle you with a cordless phone.
Chuck Norris can pick apples from an orange tree and make the best lemonade you’ve ever tasted.
Chuck Norris tells Simon what to do.
When the Bogeyman goes to sleep at night, he checks under his bed for Chuck Norris.
Chuck Norris doesn’t cheat death. He wins fair and square.
Bigfoot claims he once saw Chuck Norris.
Superman owns a pair of Chuck Norris pajamas.
Chuck Norris once won a staring context with the sun.
Fear of spiders is called arachnophobia, fear of confined spaces is called claustrophobia, and fear of Chuck Norris is called common sense.
I’m fond of Joerg Sprave’s YouTube Channel, called The Slingshot Channel. He’s a former strongman who is very into slingshots, as well as pretty much any device which stores muscular energy in order to fire a projectile.
He has often made various sorts of slingshots, which he has sold, but recently he’s been getting into bows with magazines to enable rapid fire. From there, he’s recently developed a magazine-fed slingshot. This reminds me a great deal of the sort of inventions one often saw in the 1800s, except he’s developing them right now.
Here is his video where he presents his first prototype of the “instant rufus”:
It’s very interesting indeed to see someone develop a novel machine that can be made from parts one can buy at a hardware store. It’s quite a bit of creativity on display, here.
I was just thinking about the song Finite Simple Group (Of Order 2), and if you have studied graduate level math and haven’t heard it, you really should:
If you haven’t studied graduate level math, the many, many puns will not be funny—in many cases they get the meaning at least approximately correct in both senses, which is the ideal form for a pun. There is something interesting to contemplate without watching the video, though.
It is curious how context-dependent humor can be. This can, of course, become a problem. For about a year after I left grad school, I could barely make jokes which other people would understand. In fact, I often could barely make jokes because I was constantly interrupting them with, “oh, wait, that won’t make any sense to you.”
The problem was not that I couldn’t think of things to joke about that would be of general interest, but that all of the similes and analogies which sprang to mind were esoteric. Since the essence of wit is making suddenly obvious connections which are normally hidden, it proved disastrous because I couldn’t find the things which would make the connections obvious to others.
One of the things necessary for the skill of comedy, then, is to keep familiar with the things one’s audience will be familiar with, whatever those are. As can be seen by the laughter which Kleinfour (the a cappella group in the video) got, this can be esoteric if your audience happens to be made up of people who all share that esoteric knowledge.
Just a subset of the dictum, know your audience, I suppose.
My friend and publisher, Russell Newquist, is having a Michaelmas sale this weekend on his books since they feature a modern day paladin who fights with the sword of Saint Michael (the archangel). If you’re in the mood for Catholic action-horror (Amazon calls it “Christian fantasy”) check out:
“Jim Butcher’s Harry Dresden collides with Larry Correia’s Monster Hunter International in this supernatural thriller that goes straight to Hell!”
Also, the sequel:
“There’s a dragon in the church.”
I have to confess that these are still on my shelf waiting to be read, but I have read Russell’s short story Who’s Afraid of the Dark? (which is about a character who appears in War Demons and Vigil) and it was very good. So if you’re not busy writing murder mysteries and have time to read other people’s work, I strongly recommend checking them out.
This weekend the sale prices for War Demons are: Ebook: $0.99 Paperback: $9.99 Hardcover: $19.99
The sale prices for Vigil are: Ebook: $0.99 Paperback: $4.99