What a First Date Should Cost

On Twitter, I recently saw the following question:

I saw a post saying “Men should spend at least $1000 on a first date.” What ya’ll think?

The answer is, obviously, “no”. At least if that’s denominated in US dollars. But that’s not the interesting part. The correct answer to what a man should spend on a first date is: the price of admission to a museum, zoo, art gallery, or similar. And, as far as possible, during the day.

There are several reasons for this, mostly related to the function of courtship, but some of them are practical, too.

To get the practical reasons out of the way, one wants to make a good first impression on a person in a first date, and people are at their best when they have something to do. Even an excellent conversationalist does better with material to hand, and most people are not excellent conversationalists.

The other practical reason is that museums, zoos, etc. tend to make people comfortable. First dates can be awkward and a setting that will put both people at ease is helpful.

When it comes to courtship, the benefits are several fold. The first is that it is a demonstration of patience on the part of both parties. Marriage requires large amounts of patience; being willing to demonstrate small amounts of patience by being among people, and with a purpose, on a date, helps both to show this to the other. (Also frequently one has to wait for the people in front of one.)

Going to a museum, or to a zoo, or some such place will also inevitably involve some amount of minor inconvenience. How people bear up under minor inconvenience is extremely useful to know in marriage. How people bear up under great inconvenience may be more important, but most days involve minor inconvenience, and if a person handles it badly, that will add up to a lot of problems, over the years.

Zoos, museums, and the like also involve some amount of making joint decisions. If one wants to see the polar bears and the other wants to see the orangutans, the couple will need to work out which to actually go see, or at least the order to see them in. How good people are at making joint decisions—actually working them out and not merely something unsustainable like one always deferring to the other—is extremely valuable in marriage. (I would hope it would go without saying that if a person shows themselves to be selfish and demands to always have their way, this is a huge red flag; in case it doesn’t go without saying—it is.)

A final benefit is that most zoos, museums, etc. are physically large, and large amounts of walking will slightly tire people out. What people are like when mildly fatigued is also very useful to know, as much of marriage will be spent when one, the other, or both are a little tired. When they have young children, it will be spent when both are very tired.

When you sum these benefits up, a first date at a zoo, museum, or the like will work well to show both people whether a second date is worthwhile. It will teach both people a great deal about the other, but under conditions which are pleasant and favorable.

Oh, and while it is cheap in terms of money, going with someone to a zoo, museum, or the like is a significant investment in terms of time and effort. How much a person appreciates that is also useful to know in a marriage, both because effort is more important than money (especially above a certain minimum), and because in any case it is (very frequently) more available in marriage, too.

Hearing the Same Story Twice

One of the great benefits of having friends who are at least twenty years older than oneself is that they have a wealth of life experiences that they are happy to share. This enables one to circumvent the problem in the popular saying:

Good judgment comes from experience and experience comes from bad judgment.

Having significantly older friends means that one can benefit from their experience. (The same is true of parents, if one can bring oneself to listen to them.)

But there is a problem with listening to the stories of people who are several decades one’s senior: they tend to tell you each story several times. Contrary to popular belief, this is not because they’re old, but because while stories are memorable, the act of telling them isn’t. In fact, telling a story is actually quite hard to remember because the storyteller’s attention is on the story, not on the telling.

Further, older people simply have far more to remember because they’ve got much fuller lives than young people do. Our culture’s obsession with youth not withstanding, older people have far more friends and acquaintances than young people do. They also have vastly more people’s lives and concerns to keep track of.

And since one very remarkable experience—that is, one good story—will touch on many aspects of life, in conversation with one’s older friends their especially good stories will come up from time to time, and they will probably not remember that they already told you that story three years ago. As I said, the story is far more memorable than the telling of it.

There are, at this point, three options:

  1. Interrupt them to tell them they already told you the story.
  2. Let them tell it then tell them that they already told you the story.
  3. Let them tell the story and appreciate it again.

Of the three, the second is the worst option. It’s basically throwing a gift back in the giver’s face. Don’t do this.

The first can be polite, but it’s tricky to pull off. If the story is recognizable in its first few words, you can probably find a pause in the first sentence (or so) to interrupt and ask if it’s the story you’re thinking of—and bear in mind you might be wrong because sometimes different stories sound similar. If it is, then tell the friend how much you like the story. The danger of interrupting them is that you might seem ungrateful or unappreciative of the wisdom being conveyed and telling them how much you appreciate the story—not merely appreciated it in the past, but kept its lessons with you—will ensure that the proper reaction of gratitude is conveyed.

The third option is often the best option. First, because it is the most grateful option. Second, because the same story is often told with different details filled in, so one gets a more complete version of it by putting the two together. Third, because one will probably learn new things from hearing it again. And fourth, because the impossibility of perpetual novelty (while maintaining quality), happiness depends upon the ability to appreciate good things one has already experienced. Hearing a good story again is excellent practice at this.

One should not lie and pretend that one has not heard the story before, but it almost never comes up, and if it doesn’t, there’s no need to bring it up.

And you’re vastly better off having heard the same story twice than not at all.

How To Get Your Posts Shared By Big Names

This is a post for people with small blog readerships who want to get links from people who have big followings. It will probably apply to other long-form media like YouTube videos and possibly even Facebook posts, but won’t apply to short-form media like Twitter. Also, I should mention that I’m talking about people who are big because of what they make. I have no idea how to get Kim Kardashian to notice blog posts.

If you’re wondering what my credentials are for making this post, I’ll start with the recent ones:


In case you don’t know him, Ed Latimore has (as of the time of this writing) about 40,000 Twitter followers. Recently he linked to How To End Conversations and Acting Confident vs. Being a Jerk.

In the bigger picture, I’ve been blogging on and off for twenty years. In that time I’ve had novels of mine mentioned by Mark Shea, I’ve had blogs linked to by The Volokh Conspiracy (several hosts ago), Steven Den Beste (back when he was a big-name political blogger, before he switched to anime blogging, may he rest in peace), and others. Probably the biggest link I got was from Slashdot. (That one generated around  35,000 page views, 16 years ago.)

Having (hopefully) established my credentials, much of what I’m going to talk about is actually basic human psychology. The most effective way to get anybody to do what you want is to align your interests with theirs. So the best way to get someone with a big following to link to your blog post is to write a blog post where linking to it benefits them. This makes the most important thing to consider:

What People With Followings Want

The only way to get a large following is to give a lot of people a meaningful amount of value. (Whether it is given for free or for a fee is irrelevant.) Loyalty is, however, a rare thing among fallen humanity and so one has to keep giving new value. This may be clearer if it’s considered from the reader’s perspective: if someone spends too much time writing what you don’t want to read, you’ll stop reading them. This creates, for the person will the big following, two complementary incentives:

  1. A constant need for value to give to their readers
  2. A strong disincentive to publish anything which is not valuable to their readers

The techniques for getting blog posts shared by big names all follow from these two elementary forces. (It doesn’t hurt to know how readers behave, too.)

The Basics

The single best way to get your blog post shared by someone is to write a blog post which provides real value to the person’s readers. This can work if it’s a large subset of his readers but it’s better if it’s all of his readers. And the best way to do that is for the post to be the sort of post which that person would write. Now, I don’t mean that you should ape his style. In fact, that’s probably a bad idea. But your post should be on a subject which he might write about and from a viewpoint which is at least compatible with his. Also, critically, it’s got to be a post he hasn’t already written.

That’s not to say that it can’t be on the same subject that he’s written about before, but if it is, it’s got to be different: a different take, a different angle, some additional background information which augments or clarifies his point—in short, your post has to add something to his. If it doesn’t, what’s the point in him sharing it?

A follow-up post to the big name’s post can be a good approach to getting shared. Saving the big name the trouble of writing the followup can provide a lot of value. (This is especially true if he’d have had to do research to write it.)

A funny take on a serious post, or a serious take on a funny post can also both work as follow-ups. If you’re going the route of being funny, make sure that your sense of humor will make the writer laugh out loud. If you’re going serious, a good bet is to be an answer to all the nit-pickers on the writer’s humorous post, saving him the tedium of replying and/or explaining.

Subjects that the writer with the big following haven’t written about also work, depending on why he hasn’t written about them. Good reasons are: he hasn’t gotten around to it and writing it would require research he didn’t feel like doing. Bad reasons include: he isn’t interested, he thinks it will turn off readers, it’s off-brand.

Merely tangential relation to the writer’s main subject probably won’t cut it. For example, it’s probably a waste of everyone’s time to tell a Paleo blogger about your post on “how to hook up with hot paleo chicks”.  Even if your technique is to carry around a clear acrylic cooler packed with ice and raw steaks, your primary topic is picking up women, not eating paleo. By contrast, “how to eat paleo on a date without being a nuissance” would be primarily about eating paleo. Specifically, it would be about navigating the difficulties of the modern food environment without sacrificing paleo goals. And if you’re pitching a paleo blogger, posts about changing the oil in your car are right out.

Don’t Waste People’s Time

If your post is not likely to be of interest to a big name’s readers/viewers/followers/etc, don’t waste their time asking them to share it. That’s just asking for free advertising. It wouldn’t even do you any good if they did share it—their followers won’t click on it. If you follow someone because you love their bass fishing blog, if they publish a link to someone’s post on how to sell afghans on ebay it will just be noise to you. And people who’ve spent more than a few months on the internet are very good at filtering out noise. At the very least, if you insist on doing this, make the subject line, “I want free advertising for no reason”.

Joking aside, for most people the reason they do this is because their hope has clouded their judgment. Try not to do this. Hope is important, but other people’s time being finite means that hope should always be tempered by realism. There will be other opportunities.

Present Your Material Politely

This isn’t hard, but the big thing is to avoid looking like what you’re not. Everyone gets spam asking them for things; when you are offering value to someone you want to be careful to avoid looking like spam. The best way to do this is to avoid asking for things. I don’t mean to be passive aggressive, just to trust the person you’re talking to to run their own blog/channel/twitter/whatever. They can figure out on their own that if something is valuable to their readers, they should share it. So trust them that they know that.

Just be simple and direct. If you think they would like it, then say so. “I’ve got a blog post on [subject] which I think you might like: [link] [excerpt]”. If you think that it’s primarily their readers who would be interested, then say that. “I’ve got a blog post on [subject] which I think your readers might find interesting: [link] [excerpt]”.

A brief excerpt is valuable because it will give the person a sense of the post’s quality in a few seconds. This lets them judge whether reading the post will be a good use of their time. Unfortunately on the internet, a lot of people are wrong about how valuable their posts are and while I trust that the reader’s post is one of the valuable ones, the big name can’t. That means that they have to spend time to find out that it is valuable. An excerpt lets them do that in a few seconds, rather than having to judge whether to invest a minute or two. That may not sound like a lot if your inbox is empty, but when you’ve got thirty unread messages, it can feel like quite a lot.

More Advanced

You’ll note from the basics section that familiarity with the big name you’re hoping to get linked by is important. The best way to achieve this, of course, is to be a regular reader. There is a world of difference between how well a regular reader knows a writer’s interests and how well someone who’s read an article or two does. (Though even the article or two is a world again of difference with someone who’s read nothing by a writer.)

There’s another big advantage to being a regular reader: you’re probably going to end up being a regular commenter. Whatever the medium, almost all writers have some sort of avenue of feedback available. If you read someone regularly you will naturally use it on occasion. As long as you are doing so from a consistent persona (ideally one that has a real picture of your face, since human beings key recognition off of faces), you will start to build up an acquaintanceship.  In addition to having a bit of a human connection—which is valuable in its own right—this will automatically elevate your request that the big name check out your blog post in their attention. Obviously this can backfire if you get annoying, so be careful to only send them your best stuff, but this is a huge leg up on getting their attention.

You’ll probably also benefit from all the exposure to the writing (etc.) of people with large followings, including becoming a better writer yourself.

Trying to Get Noticed by Really Really Popular People

First, it’s important to be realistic. This is extremely hard. There are actually several reasons for this, but the numbers are enough on their own: if someone has a million readers, if 0.1% of the readers contact the writer per month, that’s 33 people per day. Thirty three strangers is a lot of people to talk to in a day, on top of trying to eat, get to the gym, do one’s job, and possibly interact with friends and family.

But things are much worse than that. When someone is that popular, your competition for their attention will not be entirely made up of incompetent people. Other people will be offering value too. That means that there’s a lot to pick through, and that doesn’t just take time. It takes emotional energy. Some of the work required in meeting strangers is involved in reading the words of a stranger; it takes some amount of adaptation to their style, their turns of phrase, their way of thinking, etc. This is one reason why newspapers traditionally had standardized voices, diction, etc.—by making the writers interchangeable, reading a newspaper requires significantly less effort on the part of the reader. The great variety of voices offered by blogging (etc) allow us to find people we enjoy far more, but it requires a great deal more energy to sift through. Just consider how many new bloggers you read a day—it’s not many, at least on a typical day. There’s no reason to expect it to be easier for more popular people.

None of which is to say that it is impossible, just that maintaining realism is especially important. You will of course want a title which is obviously interesting (but not click-bait), and a great pull-quote from the article to go with the title. But more than this, you also need some way of getting your post noticed. And the best way to do that is to get it noticed by smaller venues so that the really really popular person sees it all over the place. This was the technique I used to get my article linked by Slashdot. It was a different take on a hot topic of the day, and I submitted it to many smaller blogs and news sites before I submitted it to Slashdot. When the article went up on Slashdot, they weren’t even that enthusiastic about my post but noted that they were getting told about it by everyone. There was unquestionably an aspect of it being the right-place/right-time since my post hooked into a news story which was exploding at the moment. I wouldn’t have been able to get an article linked which wasn’t satisfying such a large, though short-lived, demand. But I also wouldn’t have been able to get it linked if it weren’t for all the smaller sites linking to it and making it something people were talking about. And this plays into the numbers I mentioned above. If all thirty-three people in a day are telling the big writer the same thing, he’ll probably notice.

Be Realistic About the Results

And finally, if you do manage to get your post shared by someone with a big following, be realistic about the results. It’s great for your blog post that it got a lot of traffic, but this probably won’t have much of an effect on your blog itself. The number of people who will check out more of your blog varies with a lot of factors, but unless something is very well aligned, expect the number of readers you’ve gained to be below 1% of the number who visited. Again, just think about your own reading habits: how many blogs do you follow links to, versus how many do you become a long-term reader of?

This is, by the way, another reason to focus on making the blog post high quality. If you get linked by someone with a large following, this blog post is probably going to be the only thing of yours most people who read the post will ever read. So this is your one chance to give them something of value to carry with them for the rest of their life. Make your shot count.

How To End Conversations

Recently the topic of ending conversations came up and so I thought I’d write down a brief guide to good ways to do that in case it’s helpful to someone who hasn’t seen good examples of it.

And just as a preface, if you want to exit from a conversation, don’t give the other person hints that you want to be out of it. You have very little control over how aggressively hints are interpreted, and in the best case people will wonder why you didn’t trust them enough to say what you meant. In general, passive-aggressive leaves a bad taste in people’s mouths. And further, if you want a job done, don’t delegate it to someone who may not want it done.

Before I get into specifics, we should first talk about the generalities of the situation, so that the specifics make sense. All conversations have between one and two purposes. Conversations which might be said to have no purpose will generally have the purpose of fulfilling social obligations to interact with people in some circumstances. Common purposes include:

  • Wanting human connection (to stave off loneliness)
  • Enjoyment of a subject with someone who also enjoys it
  • Passing the time
  • Communicating information
  • Being polite

For the most part, people are in a conversation for one of these reasons. Exiting a conversation in a way that does not offend the other person is primarily a matter of acting consonant with two propositions:

  1. The other person’s concerns matter
  2. the reason you are ending the conversation is that something of greater importance than the current state of the conversation has come up

The specifics of this depend on the reason the other person has for being in the conversation. Though one generality is to make sure to smile as you’re ending the conversation. Smiling makes everyone less likely to be offended, as long as your smile is commensurate with the words you’re saying. (For more, I’ve got a whole video about the use of smiling as communication.) Taking them in increasing order of difficult:

Being Polite

If the other person is in the conversation merely to be polite, which typically means something like the two of you are together and it would be rude to act as if the other person isn’t there, exiting the conversation politely is generally as simple as saying that you should do something else and saying it was pleasant to talk with them. (Note: there is no way to politely exit a conversation if you will still be in the situation where it would be impolite to not talk. “I’m going to stand here and ignore you while you stare at my forehead” will always be impolite no matter how you say it.)

Here’s my stop. It was nice talking you, and good luck with [thing person said].

Passing the Time

Related to being polite, passing the time is where conversation isn’t necessary but someone finds it preferable to the alternatives. When only one person is passing the time, this can be unpleasant for the other person but may be done as an act of generosity. If you’re the one passing the time and the other person has things they’d rather be doing, generally the best way out is to apologize, since it implicitly recognizes their generosity.

Well, look at me going on and on. I didn’t mean to take up so much of your time but thanks and I’ll let you get back to [whatever they were doing or should be doing].

If the other person was passing the time, then the key is to not make them feel like they were a burden. (Even if they were; odds are very good they’ll realize it on some level even if you say nothing and anything you say will probably over-communicate that message. If a person is constantly doing this to you, greater firmness will be required, but if at all possible escalate slowly.)

Hey, it was good talking to you but unfortunately I’ve got to get to [whatever you should be doing]. See you around!

Communicating Information

On the plus side, people generally don’t have emotional investments in communicating information. On the downside, these sorts of conversations can easily get lost in the woods and wander endlessly. The key to ending them is making sure that the other person has all the information that they need and that the conversation doesn’t accidentally become mutual politeness, like the time I and a group of college friends walked to the ATM before getting food together only to stand there and look at each other to see who needed to get cash before eating when none of us did. How to get out of this conversation will depend on whether you are the one who needs information or the one who is giving it. If you’re the one giving it (at a suitable time when you’re not interrupting a thought):

OK. Well, does that answer your question / give you what you need?

If they say no, then go back to trying to answer the question. If they say yes:

OK, great! I’m glad I could help, and if there’s anything else you need, just let me know.

If you’re the one who was asking the questions, how you exit the conversation will depend on whether you got the information you were after. If you did, this is easy:

Hey, well, that answered all the questions I have. Thanks you very much for all the information.

(At this point the other person may take a moment to point you to additional sources of information, such as books, websites, etc. Actually write this stuff down if you can because in the worst case a little effort here will make the other person feel better, and in the more common case you won’t have to ask for the recommendation all over again.)

If you didn’t get the information and it’s clear that you’re not going to, then it’s best to be a little vague, but of course within the bounds of honesty:

Hey, well, thanks. That gives me a sense of where to get started. I need to do some more research to come up with more focused, better-formed questions. But this gives me a good start for doing that.

On the real extreme end of having gotten nothing at all out of it, just thank them for their time. They’ll probably be more glad than you are to get out of the conversation. If they ask if that answered your question, I suggest discovering your inner skeptic. What can you really be certain of, anyway?

I’m not really sure, actually. I’ve got to think about it and figure out what it is I’m even trying to ask.


Possibly. I need some time to think it over and turn things over in my head and see if it makes sense or if there’s stuff I still need to ask about.

If it was such a cluster-fudge that you got information that was contradictory or you know to be wrong, stick to what’s true:

Well, thank you for taking the time to answer my questions.

Enjoyment of a Subject With Someone Who Also Enjoys It

This is the classic conversation between friends, at least when it’s going well. If this is actually going on with a friend, then it will probably be hard to go wrong, unless you have to leave early. With friends, openness is generally the best approach, so if something came up that means you have to run, say what it is.

Oh shoot. I promised my [blood relation] I’d [do something] now, so I’ve got to run. I need a few more hours in a day. Will you be available [time/date]?

This both gives them an entirely believable reason why you had to leave so quickly, and by making reference to when you next talk to them, communicates unambiguously that you want to continue the subject, or at least keep talking with them.

If the conversation has come to a natural close, then mostly all that’s needed is an acknowledgement that you enjoyed the conversation. Everyone has things to do in order to stay healthy and under shelter, so no real excuse is needed, though there’s no harm in providing one, either.

Well, it’s been great talking with you but I have to get going.

Or with an excuse:

Well, it’s been great talking with you, but unfortunately I need to [practical activity, such as eating or going to sleep].

If the conversation was not really symmetric, where the other person was far more into than you were, the excuse is more important. And to limit such conversations without giving offense, try to pick an early but not abrupt point to consistently end them; the other person’s sense of you being as into it as them will depend heavily on how participatory you are, so limiting your participation will naturally encourage them to look elsewhere while still thinking of you as meaning well toward them. (I’m assuming that you do; if you dislike someone and wish them ill, you don’t need advice on how to communicate that. Everyone knows how to shriek obscenities and throw things.)

Wanting Human Connection

This may be the hardest one since ending a conversation is inherently—if temporarily—severing the human connection which the other person is seeking. Accordingly, there isn’t a great way of doing this. There are actually two bad outcomes you need to try to avoid:

  1. Making the person feel unwanted or like they’re a burden
  2. Making the person think that you have more time to give them than you do, so that they are set up for disappointment when you don’t talk to them again as soon or for as long as they were expecting.

As is probably obvious, navigating this isn’t easy, since the easiest way to avoid one is to run straight into the other. The best bet is to express happiness that you conversed and to be very realistic about the next time you’ll talk. It is far, far better to over-estimate how long it will be than to under-estimate it. People are always delighted to hear from someone earlier than expected but feel quite bad about not hearing from someone when they expect to. This is of course difficult because the further off an estimate one gives, the less happy the other person will be to hear it. This is what tends to push us into giving under-estimates and disappointing them.

If this is a relative or other close person, it’s ideal to establish some sort of regularity. Calling every Saturday afternoon or Tuesday evening or whatever. The regularity both gives the person something to look forward to and eases the ending of the conversation because less will feel like it’s at stake. If they feel like they can rely on hearing from you again, it will be painful—but not nearly as painful—to say goodbye.

That said, the key is to strike a balance between being cheerful and acknowledging that the ending of the conversation is not a happy thing for the other person. Much of this is in the tone of voice, of course; something gentle with a note of sadness among a generally positive sound is the goal. If you can stick to a schedule, something like this:

Well, it’s time for me to get going. It was great talking with you, and I hope you have a good rest of the [realistic time period until you talk again]. I look forward to talking with you [tomorrow/next week/etc].  [If appropriate, this is where you stick professions of love and affection.]

If you can’t stick to a schedule, then something like this:

Well, it’s time for me to get going. It was great talking with you, and I hope you have a good rest of your day. I look forward to talking with you again. [If appropriate, this is where you stick professions of love and affection.]

Admitting One’s Weird

In an interesting essay I suggest reading, Ed Latimore gave, “5 Lessons From Growing Up in the Hood.” One of them in particular caught my eye:

1. Good manners go a long way.

I fought a lot as a kid. That’s just par for the course growing up in the hood. I would have fought a lot more if it wasn’t for one simple phrase: “My bad.” For those of you that don’t speak hood, “My bad” is the equivalent of saying “I’m sorry.”

You bump somebody in a crowd? ‘My bad’ goes a long way. Step on someone’s foot on a crowded bus? Dude might get mad, but you can cool it quick by just saying ‘My bad.’ Say something a little too offensive that gets guys in the mood to fight? Just say ‘My bad’ and dial it down. It’s amazing what an apology can do to cool tempers in the hood.

I didn’t grow up in the hood, nor even particularly close to it, but I found the same thing applies to situations with much lower stakes: being willing to admit error where one can truthfully do so goes a long way to smoothing out human interactions. And the curious thing is that where one is telling the truth in admitting error, most people are very willing to accept that and move on. People, by and large, don’t tolerate affronts to their dignity, but they are very willing to tolerate other people’s human imperfection where it is acknowledged as such and where a person is willing to put in the work to make things right afterwards.

This applies quite a lot in the context of business. If one makes a mistake in a professional setting, simply admitting it in a straight-forward way tends to turn such mistakes into a non-issue. Professionals are there to earn money, which they do by solving problems. Co-workers’ mistakes are just one more problem to solve. This can of course become excessive to the point where you are causing more problems than you are solving, but if that’s the case you’re probably a bad fit for your job and should move on for everyone’s sake. But where you are competent at your job, people just don’t really care deeply about the occasional mistake, and if you own up to it, there’s nothing left to talk about so people just move on.

And it’s that last part that I want to talk about in another context. Most people are weird but hide it; and most people are made very uncomfortable by other people being different (which is just another way of saying that they’re weird). At its root this comes from a tribal instinct; it is not good for man to be alone—and we know it. Differences make us fear rejection, though a little bit of life experience and sense teaches us which differences matter and which don’t. But sense is surprisingly uncommon and learning from life experiences is—for quite possibly related reasons—similarly rare. So a great many people fear whatever is different from them. This can be people who look different but I think it’s far more common to be afraid of people who act differently. And one thing people do when they’re uncomfortable is talk about it.

And this is where admitting that one is weird can be a very useful strategy. To give a concrete example, I shoot an 80# bow. (For a long time it was actually 82# but string creep eventually set it and for some reason they couldn’t get it back up.) That’s pretty uncommon, these days, especially for someone with a 30″ draw length. Most men shoot a bow somewhere in the range of 55#-70# (women tend to shoot in the 35#-50# range). You’d think that an 80# bow wouldn’t seem that odd to people shooting a 70# bow, but for reasons relating to how many reps you can do in weight-lighting being a function of how close you are to your one-rep max, it actually is a pretty big jump for a lot of people. They could draw the bow, but only a few times an hour. I’m not that strong, but I’m a relatively big guy (6′ tall, over 200lbs) and so I can comfortably shoot my bow for an hour or two at a stretch without losing more accuracy than if I was shooting a 70# or a 60# bow (really the main thing affecting accuracy is that your shoulders get tired of holding the bow up at arm’s length). So it’s a very reasonable thing for me, personally, to do, but it’s pretty odd among people at the archery shop I go to. And moreover it’s not really necessary. Where I live the only common big game is whitetail deer and you can reliably kill a whitetail with a 40# bow if you’ve got a good broadhead/arrow setup and are a good shot. I do it because I like it, and because it acts like insurance. With the double-edge single-bevel broadheads I use on top of 0.175″ deflection tapered carbon fiber arrows, the whole thing weighing 715 grains, shot from an 80# bow, if I make a bad shot and hit the large bones my arrow will most likely go right through and kill the animal anyway. And I could use the same setup for hunting moose or buffalo without modification, should I ever get the opportunity. (That would fill the freezer with meat in one shot!)

So, as you can see, from my perspective this is a reasonable thing to do. But from most everyone else’s perspective, it’s weird. And moreover, it’s more than most men at the archery shop I go to can do. Some people there can’t even draw my bow, and many who could would find the strain too much to do more than a few times. It would be easy for people to suspect that I look down on them as lesser because of it, and to reject me in self-defense. If someone you respect looks down on you,  it’s painful. If someone you reject as mentally deranged looks down on you, it’s irrelevant.

So when people make jokes about me/my bow being atypical, I go along with it. I will cheerfully admit that I’m engaging is massive over-kill; I will joke along with them about the way deer are wearing bullet-proof vests these days. (My setup could probably go through a lighter bullet-proof vest since broadheads are razor sharp and can cut through kevlar. It has zero chance against the sort of vest with ceramic plates in it.) If someone characterizes me as crazy, I smile and say, “nuts, but I like it.” And in general the joking lasts for a minute then is forgotten about and things are normal. This is, I think, for two reasons:

  1. I have signaled that I know I am abnormal and am happy with the status of being abnormal. I am clearly indicating that I am not the standard against which others should be measured so I am no threat to anyone’s social standing or sense of self.
  2. It smothers the impulse to joke about me, in the sense of taking the air away from a flame. If you say that someone’s crazy and he smiles and says, “certifiable,” you just don’t have anywhere to go. Joking/teasing requires a difference of opinion. If someone agrees with you, there’s nothing left to say since a man looks like an ass if all he does is repeat himself.

Of course, this does depend on the content of what’s being said about me being something which I can agree with. In this example, “crazy” just means “abnormal,” which is quite true. If someone were to accuse me of being a criminal I would defend myself, not agree with them. The point is not to be a carpet for people to walk on but rather to learn how to pick one’s battles and only fight the ones that need to be fought. That’s a general principle of skill, by the way; skill consists in applying the right amount of force to the right place to generate the best results. A lack of skill wastes force first in applying it to the wrong place and so needing far more force to achieve the desired result, and then in needing to apply more force to correct the problems caused by having applied force to the wrong place. That’s as true of picking one’s battles as it is of swing dancing or balancing in ice skating. Or, for that matter, archery; missing the target in archery often means that you have to spend a lot of effort to pull your arrow out of a tree.