Movies Are Very Visual

I was recently thinking about how awful a movie The Least Jedi is, and how much better a movie Plan 9 From Outer Space is, except in the visual aspects—costumes, props, sets, lighting, photography, and special effects. I’ve joked that I want there to be a $150M shot-for-shot remake of Plan 9 From Outer Space to be used as the yardstick by which all sci-fi movies are judged.

Then it occurred to me that in lieu of this to suggest to people that they watch Plan 9 but imagine all of the bright colors, amazing special effects, and so on. Curiously, I could not picture anyone even trying. “Why should I have to do that work for them, that’s their job?” I can hear my interlocutor say. And yet, such people want me to do the exact same thing with the plot. They want me to imagine the motivations, the extra dialog we didn’t see, the equipment we weren’t told about, the things we don’t know anyone did—in short, because the thing is pretty, they want me to do the work of the writer and think that this is quite reasonable to expect me to do, while they are utterly unwilling to do the work of the special effects department.

I think that this suggests that for many people, movies are an extremely visual medium. Perhaps there is even a fraction of the population with a very weak imagination for whom movies are vicariously indulging in having a powerful imagination. If a weak imagination is coupled with a poor memory, that would explain a lot about what movies tend to be mega-blockbusters.

(Note: I’m not, here, criticizing people who were not given as much of some natural virtues as I was. Rather, I think that this makes liking truly awful movies more forgivable and perhaps, even, a little understandable.)

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