I’ve been re-reading the Lord Peter Wimsey stories in order, and having recently finished Strong Poison (review of it and The Unpleasantness at the Bellona Club coming soon), the next book is The Five Red Herrings. Unfortunately, this is my least favorite of the Lord Peter novels, and forty pages into it, I’m doubting that I will finish it a second time. Which is very odd because I love Dorothy L. Sayers’ writing and I love Lord Peter Wimsey. But I just don’t like this book.
I did some serious consideration to try to figure out why, and I finally realized that none of the characters are described—or at least are not described for a long time. The first real description of anyone we get is when Lord Peter draws up a list of suspects, and notes some physical characteristics about them. They still don’t have personalities at that point, and physical description in a dry list is just hard to remember.
Actually, what I said above is not quite true. We do get a fairly length description of the murder victim, Campbell, for the first two chapters. Unfortunately, he’s so unpleasant a character that I feel downright grateful to the murderer for putting an end to Campbell so I no longer have to read about the wretch. Instead of being intrigued by Lord Peter’s detection that the death was not an accident, I felt annoyed. If it was a murder, the murderer did the world a favor. Lord Peter should have left well enough alone.
In fact, that could have made the book more interesting if Lord Peter actually grappled with his detection and how much rather he’d not have done it. But of course, that brings up a problem with Lord Peter not being Christian, and so couldn’t really come up with any sort of reason for the world not being better off without Campbell.
Anyway, the non-descriptness of the book continues for quite some time, at least. It apparently was written for friends as being a time-table mystery, and it feels in many ways like an extremely extended logic puzzle rather than a story proper. If the name isn’t familiar, I mean the list of clues together with a table, like this:
I used to love doing logic problems, especially with my Aunt who would buy the magazines with them in duplicate so we could each have one as we worked them together. The Five Red Herrings is like this, except with the clues going on for hundreds of pages and (spoiler alert:) some of the clues turn out to be wrong anyway.
A contemporary review somewhat sums this up:
The first edition was reviewed in The Spectator of 1931 by MI Cole. He found the impregnable alibis of the rather indistinguishable artist suspects, and the elaborate examination of timetables, ticket punches and so on, to be really taxing to the intelligence. Lord Peter Wimsey and the author’s usual pleasant fantasies have retired into the background leaving a “pure-puzzle” book which is disappointing, dry, and dull. He acknowledged, however, that it has been appreciated immensely by puzzle fanatics who possess “the type of mind that goes on solving crossword puzzles for ever and ever”.
There are bits and pieces of Lord Peter’s personality which come through, but not very much or often. If you’re buying this in an Lord Peter omnibus, then by all means give it a try in case you like it better than I did. Otherwise I’d strongly recommend re-reading one of the other Lord Peter stories instead.
I should add, though, that The Five Red Herrings is a great title for a murder mystery.
If you like mystery novels, and especially Lord Peter Wimsey novels (with interesting characters who are described), you might like my murder mystery, The Dean Died Over Winter Break.