God’s blessings to you on this the second day of February in the year of our Lord’s incarnation 2017.
I found an interesting referrer linking to my interview with the editor of Cirsova magazine. It’s a blog post by Rampant Coyote about how the covers on old pulps were often quite misleading. It’s an interesting post and I recommend reading the whole thing. I found this part especially interesting:
The covers … well… as much as I love them now, they aren’t great representations of the stories themselves. The Weird Tales cover here, for example… if you’ve actually read “Queen of the Black Coast,” the only thing about this image that resembles the story is the monster. Kind of, but it’s supposed to be more ape-like. The dude is not Conan, and the girl isn’t acting (or dressed like) like Bêlit. In the story… well, Conan pretty much meets his match in Bêlit. She is a bloodthirsty, avaricious, fearless pirate. She commands some men and slaughters others, and her name strikes fear in the heart of captain . As I recall, she’s the one who does the rescuing (if posthumously… it’s complicated. They borrowed that idea for the 1982 movie. Read the story, it’s awesome!)
This was in part an effect of the business model of the time, or more properly of the specialization involved in having a publishing house. The people who commissioned the art for the covers were people who had a keen sense of what sells books, which was their job, and not nearly so much of how to accurately represent a story in a picture, which was (in practice) no one’s job. This is one thing that always annoyed me as a reader and something I’ve fixed as a self-published author. Since I commission the cover art, I have the artist depict a scene from the book. Whether that negatively affects sales I don’t know, but I far prefer the honesty of it.
Anyway, I had gotten so used to the phrase “don’t judge a book by its cover” being used metaphorically, especially about judging a person’s moral character from his looks, that I had all but forgotten that it was also literal advice based on how much book covers might be outright lies.
There is another very interesting section later on in the post, about what the stories were actually like:
This is especially true in some recent efforts I’ve seen to deconstruct / subvert older stories… folks should know what they are trying to build on. If you are writing a “pulp-style” story and you think you are being bold and original because it’s about a female warrior / pirate who totally has to rescue a Conan-analog character… it’s been done. Magazine covers notwithstanding, Howard has already been there. Lots of the pulps have. They may not be what you think they are.
Which brings up an interesting fact about the pulps: there were a lot of them. Writers wrote many stories, and though there undoubtedly were formulaic stories (any industry which needs a lot of writing is going to publish a lot of bad writing, for the simple reason that bad writing is easier to come by than good writing) writers of successful stories needed to come up with new things so as not to become stale. People did not buy the pulps because the previous issue sufficed for the new one, and subverting expectations is a very old trick for surprising the reader and keeping his interest. It’s done much better by people who want to do it in order to make their stories interesting than by people who want to overthrow morality so that they have license to be bad, since the former will only subvert things which do no harm when subverted while the latter will subvert things which do a lot of harm, but the general concept of subverting expectations is not new at all. In fact, God even used that trick when he took on flesh, being born a helpless baby in an insignificant part of an insignificant country, in a stable for animals. As Chesterton said in The Everlasting Man, there is something very strange in picturing the hands that made the universe being too small to reach the enormous heads of the cattle.
Glory to God in the highest.