What TNG: Sub Rosa Could Have Been

I was recently talking with a friend about the Star Trek: The Next Generation episode Sub Rosa and how, while it was bad, it had some cool ideas. (I explained why it was bad in this post.) Specifically, it was interesting how it suggested, though it did not explore, what life might be like for people who had no interest in Starfleet.

In the episode, Beverly Crusher’s grandmother died and Beverly goes and visits the settlement where her grandmother had lived in order to organize her things. While there, she meets an “anaphasic entity” which behaves much like a ghost, and there are elements of gothic horror in the story, which mostly turns stupid toward the end. But before it turns stupid, the community is quite interesting, or at least hints at being quite interesting.

On the Enterprise, everyone is a member of Starfleet and shares Starfleet’s three primary values of exploration, technology, and bureaucracy. But on this small colony on a completely unimportant world that no one else cares about, there’s no great reason for them to care about any of these things, the valuing technology being the most interesting of the three. People need to do something during their day, and Starfleet officers occupy their time by using advanced technology, following orders, and filling out reports. But there’s no need, in the 24th century of The Next Generation to use advanced technology wherever possible. It’s entirely possible to only use it for the things you don’t enjoy doing the old fashioned way, while doing things the old fashioned way that you enjoy doing the old fashioned way.

Indeed, if you look around at people’s hobbies today you can see this all over the place. There are people who knit by hand rather than using knitting machines, though knitting machines certainly exist. There are people who hunt with a bow and arrow rather than with a gun. There are people who sew their own clothes and do some of the seams with a needle and thread rather than with a serger or more primitive sewing machine. Why? Because for the people who do them, these things are rewarding and enjoyable.

In the 24th century, it’s quite possible that people who live someplace where no great empire cares that they’re there would spend their time farming, weaving, making clothes, cooking, and similar things, only using replicators as a back-stop in case something didn’t go well.

Ultimately, these are the people that explorers find interesting, anyway. Explorers are not, generally, satisfied to go someplace else only to find people who don’t want to be there either and are spending all their time looking for something; they like to find new worlds and new civilizations. That is, they want to find new groups of people who actually want to be where they are.

I can see why most Hollywood writers would be terrible at writing this—they’re not happy where they are—but it would certainly be quite interesting to see it done well. Sub Rosa was never going to live up to this promise, but it would be quite interesting if some story did.

And given how much Science Fiction has been written to date, somebody probably already has and I just don’t know it.

The Rise of Skywalker: Initial Thoughts

My oldest son is hoping that, having finally seen Star Wars Episode IX: The Rise of Skywalker, I will write a review of it that is similarly long and humorously criticial as my review of episode 8: The Least Jedi. (He’s had me read it to him several times now, as he enjoys my performance of it.) I’m not sure that I can, though.

The reason why is that I’m not sure that TRoS was serious. And there’s no humor in pointing out the way that a joke doesn’t work as a serious story: that’s just not getting the joke.

TRoS was in an essentially impossible position, coming, as it did, after The Last Jedi. The Last Jedi was not merely a bad movie, but it was a mean-spirited and evil movie. It tried hard to sell the viewer that nobility and virtue are bad, that nothing means anything, and that life isn’t worth living. It ended with the resistance being down to a few dozen people and it being authoritatively established that the entire galaxy is now hopeless and unwilling to fight the First Order. There’s nowhere good to go from there.

I am reminded of an episode in the TV show Sports Night where the main characters (who are sports commentators on a small sports TV show) won the right to cover a very popular and much-anticipated boxing match, and had hours of coverage blocked out. Then one fighter knocks the other out with one lucky punch seven seconds into the first round. A bit later as they’re joking about how they’re going to cover the match nanosecond by nanosecond, the director complains to the producer that they’re turning it into a joke, and he replies, “Where else are they going to go with it?”

That same question applies to TRoS, and it feels like J.J. Abrams knew it and decided to embrace it. Yes, there was no plausible way that Palpatine could have come back, but there was no plausible way that anything interesting would happen, so he didn’t bother trying to make it plausible. Was Palpatine being back good? Hell no. But J.J. established it in the first few minutes, hung a lampshade on it, and at that point, I guess you might as well go with it. Did it make sense that planet Spaceball wanted to steal Druidia’s air rather than install some air filters? No, but they established it in the first few minutes and it’s not like suspension of disbelief was ever a goal. President Skroob breathed Perry-air from a can. You knew where you stood with Space Balls. And when Palpatine uses the force to lift thousands of star destroyers with death star canons on their bellies out of the ground and into the air, you basically know where you stand, here, too. And if you didn’t, you sure do when Kylo Ren has his mask rebuilt and the actor playing the guy doing the welding is a chimpanzee.

So, yes, the plot is filled with plot holes. Nothing is ever justified (unless you want to count “Palpatine did it for his own complex and sinister reasons”). But at some point, when there are enough plot holes, it’s time to consider the thing as lace. And, as a lace doily under the lamp to keep it from scratching the table, it kind of works.

And here’s where we get to possibly the biggest reason I don’t know if I can make fun of it: its heart was mostly in the right place. Sure, the adventures made no sense, Rey got even more force powers for no reason, most of the time death is now a minor inconvenience, as are things that should cause death, and characters become loyal to our main characters just because they’re there. But all of this nonsense is in service of giving the main characters heroic adventures, personalities, and character arcs. With the exception of General Hux, all of the long-term characters are given good send-offs, including Luke. Don’t get me wrong, I still don’t consider the sequel trilogy as being actually related to the original trilogy. But J.J. Abrams seems to have considered them related and he tried to do good by them. That’s not something I want to make fun of.

I Really Prefer Later MST3K

I’ve been watching a fair amount of Mystery Science Theater 3000 lately. I should say, re-watching it, as I’ve been watching episodes I’ve already seen before, often several times before. And I’ve come to the conclusion that I really prefer later seasons of MST3K. I used to think that I had preferred Mike to Joel as the host, but I’ve discovered that’s a bit of an artifact of how I saw MST3K.

I began watching MST3K in college. I would watch it in the common room of the dormitory I was in, which was how I was introduced to it (someone had put it on the TV in the common room and it caught my attention). This was towards the end of season 8. Later on I started collecting MST3K DVD box sets and that’s where I ran into Joel episodes. With a few exceptions (most notably Cave Dwellers and Manhunt in Space) I didn’t like them nearly as much as I enjoyed the Mike episodes I had seen back in college. I concluded, naturally enough, that I just preferred Mike to Joel.

Then I got even more boxed sets and watched some of the Mike episodes from seasons five and six.

While it is still true that I do generally prefer Mike to Joel, I’ve come to realize that the biggest factor is that the writers just got better over the years. Having watched some special features, they put more time and effort into the jokes as the years went on, which certainly improved the quality. More than anything else, though, the writers learned to work with the movies, rather than working against them.

In the early years, it was not uncommon for Joel or the bots to talk over important parts of the movie, making the movie hard to follow. This made the entire experience less fun, since you didn’t get a chance to enjoy any of the movie, but worse was that it eliminated the possibility for jokes about plot holes. You can’t make jokes about plot holes if no one knows what the plot is.

Allowing the audience to hear the movie had a second benefit, which was that it encouraged the jokes to be about the movie. Obviously, they weren’t always about the movie, and there were plenty of good jokes which were tangential to the movie or just based on visual coincidences or whatever. Still, a lot of the really enjoyable jokes were about the movie that we were watching, and that was a lot more fun.

I don’t want to make too much of this. Cave Dwellers is one of my favorite episodes and it’s from the third season. I also really enjoyed King Dinosaur, which was from the second season. Still, I find that the pattern holds that later seasons tended to be better, and it’s not really surprising that the MST3K crew got better at what they did when they had more practice.