Why Modern Art is Bad

My title is a little over-broad, as there is Modern art which isn’t bad. But a large enough fraction of it is to justify the title, and I’d like to talk about why that is. Because it’s not an accident.

The first reason is that Modern art arose from Modern Philosophy, which jettisoned the idea of truth. (If you only know a little bit about Modern Philosophy this might sound odd; a few hundreds more hours of reading it will clear things up.) Since beauty, like truth and goodness, is a kind of apprehension of being, the rejection of truth was also a rejection of beauty. Art without beauty quickly becomes very strange, and also bad. That is, it becomes deconstructive. There is a thing which can be called deconstruction whose purpose is to give insight into the inner workings of something good, in order to better be able to appreciate it or to make goodness oneself; this is not what happens, though sometimes in the early stages it is what people pretend is going on. A complete rejection of truth and beauty means that deconstruction can only be for the purpose of destruction; the only enjoyment the feeling of power which comes from ending something which is good. Of course, not all Modern art embodies this perfectly. God is the only one who accomplishes all things according to His will, so human artists with bad intentions sometimes fail and make good art by accident. And, of course, not all Modern artists even fully buy into the idea.

The other major reason why Modern art is bad is because it is a status symbol of the upper classes. Well, not just that it’s a status symbol, because they don’t have to bad. Ideally, status symbols are good, and can be when the highest quality is limited in availability. Ermine furs and imperial purple dyes were both high-status and beautiful in the days when they were incredibly hard to get. The problem is when beauty becomes cheap, as modern chemistry has largely rendered it. Exclusive items with quality can still go together, as in the case of fancy wrist watches or luxury cars. But cheap reproduction and efficient markets have made beautiful art (relatively) easy to come by, so the only way for art to become exclusive is to artificially limit it to only certain producers. Modern art, being ugly, helps in this, because people won’t pick the selected artists by accident, that is, merely because they happen to like the art. Because no one naturally likes the art. High status people train themselves to enjoy the art because enjoying it confers status.

You can learn to enjoy Modern art, but the same skill would allow you to enjoy any random patch of dirt on the ground. Dirt is actually interesting stuff, if you take the time and trouble to look closely at it. But dirt is common; dirt is cheap. It’s dirt cheap, in fact. In consequence, few people have the humility to learn to appreciate dirt. If you learn to appreciate dirt, you will probably be happier, but no one but you and God will know it.


Discover more from Chris Lansdown

Subscribe to get the latest posts sent to your email.

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.